1 00:00:00,000 --> 00:00:09,000 [Music] 2 00:00:09,000 --> 00:00:11,000 Oh yeah! 3 00:00:11,000 --> 00:00:15,000 This is Phantom Power Music Hour episode 17. 4 00:00:15,000 --> 00:00:22,000 We're going to be bringing you 12 tracks from the value verse, 12 tracks from artists who 5 00:00:22,000 --> 00:00:27,000 believe in the power of value for value in getting paid in Bitcoin. 6 00:00:27,000 --> 00:00:33,000 Hey, before we start the show, before we start the music, folks, I want to remind you all, 7 00:00:33,000 --> 00:00:39,000 all you guys out there who are listening, you all have Bitcoin, but you know what we need to do as a community? 8 00:00:39,000 --> 00:00:44,000 We need to be bringing in other Bitcoin holders, other Bitcoin users. 9 00:00:44,000 --> 00:00:48,000 We have got to grow this whole community. 10 00:00:48,000 --> 00:00:56,000 If you guys know anybody who is a Bitcoin holder but they don't know about podverse, or fountain, or true fans, or curiosity or a career castor, 11 00:00:56,000 --> 00:00:58,000 come on, man. 12 00:00:58,000 --> 00:01:03,000 You got to help us all out for the entire team, for everybody who's doing this. 13 00:01:03,000 --> 00:01:07,000 We have got to grow this community. We've got to get more listeners in here. 14 00:01:07,000 --> 00:01:12,000 The artist will come, man, it is a piece of cake getting an artist in here. 15 00:01:12,000 --> 00:01:18,000 But in order for this movement to really take off, we've got to get more users, more listeners. 16 00:01:18,000 --> 00:01:22,000 So, spread the word, spread the word. 17 00:01:22,000 --> 00:01:29,000 All right, we're going to kick off today's show with a great artist from Nashville, Tennessee, 18 00:01:29,000 --> 00:01:32,000 originally from Boston. 19 00:01:32,000 --> 00:01:35,000 And this is her first song in the Valley of Versa. 20 00:01:35,000 --> 00:01:38,000 And I've had a chance to hear some of the latest stuff she's got coming out. 21 00:01:38,000 --> 00:01:40,000 And it kicks ass. 22 00:01:40,000 --> 00:01:44,000 This is Emily Rona, and the song is called "Someone Else." 23 00:01:44,000 --> 00:01:56,000 I can't go anywhere without tripping on the closure of lying around and I swear. 24 00:01:56,000 --> 00:02:09,000 I'm tired every day, slipping away from my side, and you don't care. 25 00:02:09,000 --> 00:02:14,000 It takes a little bit of stranger in my house, in my house. 26 00:02:14,000 --> 00:02:21,000 But it's easier to tell myself it's someone else, someone else. 27 00:02:21,000 --> 00:02:31,000 So, step inside of my brain, where I make excuses, I'm the boy, I'm the chair. 28 00:02:31,000 --> 00:02:39,000 Where I feel it makes sense, turns on I'm a stranger in my own house, in my own house. 29 00:02:39,000 --> 00:02:45,000 But it's easier to tell myself it's someone else, someone else. 30 00:02:45,000 --> 00:02:57,000 Your dish isn't asleep, in every week, so I can't bring myself to you. 31 00:02:57,000 --> 00:03:04,000 Sitting on the kitchen floor, yeah, I don't go out anymore, I don't know. 32 00:03:04,000 --> 00:03:11,000 I can't see, to do it. 33 00:03:11,000 --> 00:03:16,000 Translator's just changing in my house, in my house. 34 00:03:16,000 --> 00:03:23,000 But it's easier to tell myself it's someone else, someone else. 35 00:03:23,000 --> 00:03:33,000 Step inside of my brain, where I make excuses, I'm the boy, I'm the chair. 36 00:03:33,000 --> 00:03:41,000 Where I feel it makes sense, turns on I'm a stranger in my own house, in my own house. 37 00:03:41,000 --> 00:03:47,000 But it's easier to tell myself it's someone else, someone else. 38 00:03:47,000 --> 00:03:53,000 I wish I could kick you out and change the locks. 39 00:03:53,000 --> 00:04:01,000 Oh, I wish I'd always live in a little, but we know I'm not. 40 00:04:01,000 --> 00:04:11,000 Step inside of my brain, where I make excuses, I'm the boy, I'm the chair. 41 00:04:11,000 --> 00:04:18,000 Where I feel it makes sense, turns on I'm a stranger in my own house, in my own house. 42 00:04:18,000 --> 00:04:25,000 But it's easier to tell myself it's someone else, someone else. 43 00:04:35,000 --> 00:04:42,000 Did you come here to hurt me? 44 00:04:42,000 --> 00:04:49,000 I don't know what, what you want. 45 00:04:49,000 --> 00:05:02,000 Heavy punches, driving crazy, through the ground, I will start. 46 00:05:02,000 --> 00:05:09,000 Can we fight, and we fight in the light, to the church, mouse, son, and you run? 47 00:05:09,000 --> 00:05:20,000 Eating, riding, riding, riding, and crying, and it's air about fighting. 48 00:05:20,000 --> 00:05:29,000 It's air about fighting. 49 00:05:29,000 --> 00:05:42,000 Though it proved, but it's stable, and I love it sweet, but am I going mad? 50 00:05:42,000 --> 00:05:49,000 Am I in pain or have I been playful? 51 00:05:49,000 --> 00:05:56,000 Feeling cat astuped, I was beating up pretty bad. 52 00:05:56,000 --> 00:06:03,000 Can we fight, and we fight in the light, to the church, mouse, son, and you run? 53 00:06:03,000 --> 00:06:10,000 Eating, riding, riding, riding, riding, and it's air about fighting. 54 00:06:10,000 --> 00:06:16,000 Can we fight, and we fight in the light, and only when ride? 55 00:06:16,000 --> 00:06:23,000 Eating, riding, riding, riding, and crying, and it's air about fighting. 56 00:06:23,000 --> 00:06:30,000 And I want to see me cry. 57 00:06:30,000 --> 00:06:36,000 I can't fix those eyes. 58 00:06:36,000 --> 00:06:39,000 I try to fog you with the stringless go. 59 00:06:39,000 --> 00:06:45,000 'Cause do this at industry, I want 'em up, see me, see me get beat. 60 00:06:45,000 --> 00:06:52,000 I'm in so much love, you've found me, get it, get it, get it, get it, get it, get it, get it. 61 00:06:52,000 --> 00:07:06,000 Can we fight, and we fight in the light, to the church, mouse, son, and you run? 62 00:07:06,000 --> 00:07:13,000 Can we fight, and we fight in the light, to the church, mouse, son, and you run? 63 00:07:13,000 --> 00:07:20,000 Eating, riding, riding, and it's air about fighting. 64 00:07:20,000 --> 00:07:26,000 Can we fight, and we fight in the light, and only when ride? 65 00:07:26,000 --> 00:07:33,000 Eating, riding, riding, and it's air about fighting. 66 00:07:33,000 --> 00:07:47,000 [Music] 67 00:07:47,000 --> 00:07:54,000 Love that band, that is the trusted, they've got one of my favorite lines in music in the last couple of years. 68 00:07:54,000 --> 00:07:57,000 Do the church bells turn you on? 69 00:07:57,000 --> 00:08:02,000 There's some therapy behind that line there buddy, Tom. 70 00:08:02,000 --> 00:08:05,000 Who can it you, my friend, lead singer over there with the trusted? 71 00:08:05,000 --> 00:08:09,000 Love that band, hey what did you guys think of Emily Rona? 72 00:08:09,000 --> 00:08:13,000 Huh? That's a great song. Wait till you hear the other stuff she's got coming out, man. 73 00:08:13,000 --> 00:08:18,000 I had a preview of some of her tracks that she's been cutting here in Nashville with some top end producers, 74 00:08:18,000 --> 00:08:20,000 and it is absolutely killer stuff. 75 00:08:20,000 --> 00:08:23,000 So thankful that she is here in the value verse. 76 00:08:23,000 --> 00:08:29,000 That's her first song in the value verse, roll it back, roll it back and send her some sats. 77 00:08:29,000 --> 00:08:36,000 Alright let's keep it rocking, let's go with Mr. Martin Grooms from South Carolina and his track, The Hard Way. 78 00:08:36,000 --> 00:08:59,000 [Music] 79 00:08:59,000 --> 00:09:11,000 I knew it when we first met, something wasn't right, and better judgment would've kept me to myself. 80 00:09:11,000 --> 00:09:24,000 Sweet nothing, it's nothing, fed me full of lies, and still I can't forget the emptiness I felt. 81 00:09:24,000 --> 00:09:36,000 I gave you all I had to give and it never was enough. 82 00:09:36,000 --> 00:09:49,000 It breaks me with those empty arms inside your hollow clutch. 83 00:09:49,000 --> 00:09:56,000 But you never meant it when you told me that you loved me. 84 00:09:56,000 --> 00:10:02,000 I had to find out the hard way. 85 00:10:02,000 --> 00:10:13,000 You said that you'd never put someone else above me, and I'm pretty sure that's what they all say. 86 00:10:13,000 --> 00:10:26,000 You were talking when I tuned out, your timings never rise, excuses always seem to glide right out your mouth. 87 00:10:26,000 --> 00:10:38,000 Sweet nothing, it's nothing, faded all those nights, I watched us fuck it up as bottles bottomed out. 88 00:10:38,000 --> 00:10:50,000 You made all the marks, but it brought us the muffin, perfect disagree. 89 00:10:50,000 --> 00:11:04,000 I gave you all I had to give and it till you walked away. 90 00:11:04,000 --> 00:11:11,000 And you never meant it when you told me that you loved me. 91 00:11:11,000 --> 00:11:17,000 I had to find out the hard way. 92 00:11:17,000 --> 00:11:29,000 You said that you'd never put someone else above me, and I'm pretty sure that's what they all say. 93 00:11:29,000 --> 00:11:36,000 You never meant it when you told me that you loved me. 94 00:11:36,000 --> 00:11:41,000 I had to find out the hard way. 95 00:11:41,000 --> 00:11:53,000 You said that you'd never put someone else above me, and I'm pretty sure that's what they all say. 96 00:11:53,000 --> 00:12:22,000 [Music] 97 00:12:22,000 --> 00:12:30,000 [Music] 98 00:12:30,000 --> 00:12:38,000 I am only good to not mind, I'm more your wonder and why I say goodbye to signs. 99 00:12:38,000 --> 00:12:46,000 You can call me out at your light, I'm not gonna pick up the line while I'm just hit the climb. 100 00:12:46,000 --> 00:12:55,000 I'm a giant, I hate the rewinds, honestly, I'd rather skip time. 101 00:12:55,000 --> 00:13:03,000 It was fun sometimes, I'm so right, but you're right to work the same as mine. 102 00:13:03,000 --> 00:13:11,000 I hold it, you've found someone who likes you, and I'll get shit to read me songs about you. 103 00:13:11,000 --> 00:13:23,000 I hold that shit, it's all your expectations, expectations, I hold that shit, you'll find what I love you. 104 00:13:23,000 --> 00:13:26,000 I hold that shit, you can call me out with you. 105 00:13:26,000 --> 00:13:34,000 You'll be me out, I hold that you find on the first day, the first day. 106 00:13:34,000 --> 00:13:59,000 [Music] 107 00:13:59,000 --> 00:14:07,000 If it's a more dumbest sheet, I'll catch you fallin' with me, and someone gonna be your only reason. 108 00:14:07,000 --> 00:14:15,000 [Music] 109 00:14:15,000 --> 00:14:23,000 I hold that shit, it's all your expectations, expectations, I hold that shit, you'll find what I love you. 110 00:14:23,000 --> 00:14:31,000 It was fun sometimes, I'm so right, but you're right to work the same as mine. 111 00:14:31,000 --> 00:14:52,000 I hold that shit, it's all your expectations, expectations, expectations, I hold that shit, you'll find what I love you. 112 00:14:52,000 --> 00:14:55,000 I hold that shit, you can call me out with you. 113 00:14:55,000 --> 00:14:58,000 You'll be me out, I hold that shit, you'll find what I love you. 114 00:14:58,000 --> 00:15:02,000 I hold that shit, you can call me out with you. 115 00:15:02,000 --> 00:15:03,000 I hold that shit, you can call me out with you. 116 00:15:03,000 --> 00:15:04,000 I hold that shit, you can call me out with you. 117 00:15:04,000 --> 00:15:05,000 I hold that shit, you can call me out with you. 118 00:15:05,000 --> 00:15:06,000 I hold that shit, you can call me out with you. 119 00:15:06,000 --> 00:15:07,000 I hold that shit, you can call me out with you. 120 00:15:07,000 --> 00:15:08,000 I hold that shit, you can call me out with you. 121 00:15:08,000 --> 00:15:09,000 I hold that shit, you can call me out with you. 122 00:15:09,000 --> 00:15:10,000 I hold that shit, you can call me out with you. 123 00:15:10,000 --> 00:15:11,000 I hold that shit, you can call me out with you. 124 00:15:11,000 --> 00:15:12,000 I hold that shit, you can call me out with you. 125 00:15:12,000 --> 00:15:13,000 I hold that shit, you can call me out with you. 126 00:15:13,000 --> 00:15:28,000 I hold that shit, you can call me out with you. 127 00:15:28,000 --> 00:15:31,000 I hold that shit, you can find what I love you. 128 00:15:31,000 --> 00:15:39,000 I hold that shit, you can call me out with you. 129 00:15:39,000 --> 00:15:43,000 I hold that shit, you can call me out with you. 130 00:15:43,000 --> 00:15:46,000 I hold that shit, you can find what I love you. 131 00:15:46,000 --> 00:15:51,000 I hold that shit, you can call me out with you. 132 00:15:51,000 --> 00:15:53,000 I hold that shit, you can call me out with you. 133 00:15:53,000 --> 00:15:54,000 I hold that shit, you can call me out with you. 134 00:15:54,000 --> 00:15:55,000 I hold that shit, you can call me out with you. 135 00:15:55,000 --> 00:15:56,000 I hold that shit, you can call me out with you. 136 00:15:56,000 --> 00:15:57,000 I hold that shit, you can call me out with you. 137 00:15:57,000 --> 00:15:58,000 I hold that shit, you can call me out with you. 138 00:15:58,000 --> 00:15:59,000 I hold that shit, you can call me out with you. 139 00:15:59,000 --> 00:16:00,000 I hold that shit, you can call me out with you. 140 00:16:00,000 --> 00:16:01,000 I hold that shit, you can call me out with you. 141 00:16:01,000 --> 00:16:02,000 I hold that shit, you can call me out with you. 142 00:16:02,000 --> 00:16:03,000 I hold that shit, you can call me out with you. 143 00:16:03,000 --> 00:16:24,000 That is Abby Muir from North East Australia, way up top there in a town that is a hell of a lot warmer than Nashville is these days. 144 00:16:24,000 --> 00:16:31,000 And rumor has it, Abby was going up to Japan, I think, to do some recording. 145 00:16:31,000 --> 00:16:35,000 And I think she was down, and either Melbourne or Sydney this past weekend doing some gigs. 146 00:16:35,000 --> 00:16:36,000 I got to catch up with her. 147 00:16:36,000 --> 00:16:42,000 You know what I got to do is I got to get Abby over on the Phantom Power artist hour. 148 00:16:42,000 --> 00:16:44,000 We'll try to make that happen. 149 00:16:44,000 --> 00:16:51,000 And I know we're going to, I've been talking on and off with Finn over with the trusted about getting them on the show. 150 00:16:51,000 --> 00:16:52,000 So that'll be fun. 151 00:16:52,000 --> 00:17:00,000 Prior to Abby and her song First Date, we heard from the delegation from South Carolina, Mr. 152 00:17:00,000 --> 00:17:03,000 Martin Gurms and his song The Hardway. 153 00:17:03,000 --> 00:17:05,000 I really dig that song. 154 00:17:05,000 --> 00:17:08,000 I love the transitions that coming in and out of that. 155 00:17:08,000 --> 00:17:16,000 And just how, you know, how the vocals, the story, really match the music on that track. 156 00:17:16,000 --> 00:17:17,000 Absolutely love it. 157 00:17:17,000 --> 00:17:22,000 Also, want to give a shout out to our Swiss amigo, Mr. Absolute, Absalom, 158 00:17:22,000 --> 00:17:27,000 who is laying down those fantastic backbeats that you hear beneath us. 159 00:17:27,000 --> 00:17:30,000 I don't know how to pronounce that track. 160 00:17:30,000 --> 00:17:32,000 I think it's called Crick Tez. 161 00:17:32,000 --> 00:17:33,000 I don't know. 162 00:17:33,000 --> 00:17:35,000 Merci for my absolute, Absalom. 163 00:17:35,000 --> 00:17:36,000 Merci for my all. 164 00:17:36,000 --> 00:17:38,000 All right, let's keep it moving on. 165 00:17:38,000 --> 00:17:39,000 You know what we should do? 166 00:17:39,000 --> 00:17:47,000 We should drop in a brand new track into the value verse from another Nashville artist from Arayas. 167 00:17:47,000 --> 00:17:51,000 This is her second song into the value verse. 168 00:17:51,000 --> 00:18:01,000 She'll load up that wallet and send her some sats. This song is called Vices. 169 00:18:01,000 --> 00:18:09,000 [Music] 170 00:18:09,000 --> 00:18:12,000 I've got a little darkness. 171 00:18:12,000 --> 00:18:16,000 God spilled a little towel in some my soul. 172 00:18:16,000 --> 00:18:24,000 But path was never high chance, 'cause I'm hungover than the unannudable. 173 00:18:24,000 --> 00:18:28,000 I'm an angel that is voiled. 174 00:18:28,000 --> 00:18:32,000 And one intentions may be good, they are not true. 175 00:18:32,000 --> 00:18:39,000 I'm smoking off the garden, and tripping off the taste of the bitter old. 176 00:18:39,000 --> 00:18:49,000 [Music] 177 00:18:49,000 --> 00:18:59,000 [Music] 178 00:18:59,000 --> 00:19:09,000 [Music] 179 00:19:09,000 --> 00:19:13,000 [Music] 180 00:19:13,000 --> 00:19:23,000 [Music] 181 00:19:23,000 --> 00:19:33,000 [Music] 182 00:19:33,000 --> 00:19:37,000 [Music] 183 00:19:37,000 --> 00:19:41,000 [Music] 184 00:19:41,000 --> 00:19:51,000 [Music] 185 00:19:51,000 --> 00:19:55,000 [Music] 186 00:19:55,000 --> 00:19:59,000 [Music] 187 00:19:59,000 --> 00:20:03,000 [Music] 188 00:20:03,000 --> 00:20:07,000 [Music] 189 00:20:07,000 --> 00:20:13,980 Rumour rises the supporters are good at helping me make a win 190 00:20:13,980 --> 00:20:22,100 And if I know bad, apportioners fight, you can't wait 191 00:20:22,100 --> 00:20:29,840 For man I'm in the mud and even though we know you should 192 00:20:29,840 --> 00:20:37,040 If I go in, it's all free, but I know what it is 193 00:20:37,040 --> 00:20:40,080 Is it how I've got a beat? 194 00:20:40,080 --> 00:20:45,360 I'm not gay, but I'm deeply willing to go in 195 00:20:45,360 --> 00:20:50,960 So make me wait, but when you're the one I'm playing, don't worry 196 00:20:50,960 --> 00:20:57,840 From a night I'll have this game, more than the day you see 197 00:20:57,840 --> 00:21:07,840 From the vastness of subjugates, I'll call it a day in them, we 198 00:21:07,840 --> 00:21:20,840 A dream of a sound that I feel when I'm down 199 00:21:20,840 --> 00:21:24,840 It's as lost as a whiff round, these scars on your crown 200 00:21:24,840 --> 00:21:31,840 There's nothing so it is never talking out loud 201 00:21:31,840 --> 00:21:38,840 If I go in the mud, strange men outside, they want to teach me all the ways to get boob and dry 202 00:21:38,840 --> 00:21:44,840 I told them before, I never tell a lie, but I 203 00:21:44,840 --> 00:21:52,840 Before I was heading on, I was heading on 204 00:21:52,840 --> 00:21:59,840 Cause I wasn't in the mud, I got a woman, it was already my horn 205 00:21:59,840 --> 00:22:09,840 I wanna work around your town, I wanna be shown you round 206 00:22:09,840 --> 00:22:13,840 Should be sweet, sweet to the pain, and things never settle out 207 00:22:13,840 --> 00:22:18,840 We can feel the cordies, now sped in my room 208 00:22:20,840 --> 00:22:23,840 Look at that tiny street, the bison your own 209 00:22:23,840 --> 00:22:27,840 From the pissed-up assomba, go to your own meal 210 00:22:27,840 --> 00:22:33,840 But you can teach me a song, I'll let you sit and go 211 00:22:33,840 --> 00:22:37,840 When I feel the love, you said it wrong 212 00:22:37,840 --> 00:22:41,840 The love, you said it wrong 213 00:22:41,840 --> 00:22:48,840 Cause I wasn't in the mud, I got a woman, it was already my horn 214 00:22:48,840 --> 00:23:03,840 (music) 215 00:23:03,840 --> 00:23:08,840 You know I heard the name of the eggs, could get your facts 216 00:23:08,840 --> 00:23:14,840 And I'm coming back, but not for a lot of warnings for a sneak attack 217 00:23:17,840 --> 00:23:22,840 The street, like a dog in the woods, I stopped the shit on the corner 218 00:23:22,840 --> 00:23:30,840 And I'll be showing your facts, to the babies, me up to erase my head 219 00:23:30,840 --> 00:23:34,840 I won't come, you said it wrong 220 00:23:34,840 --> 00:23:38,840 I won't come, you said it wrong 221 00:23:38,840 --> 00:23:45,840 I won't come, it was already my horn 222 00:23:45,840 --> 00:23:50,840 I never know, just for a soul like a dog in the woods, all that 223 00:23:50,840 --> 00:23:54,840 Got a tip for the number of dreams that start 224 00:23:54,840 --> 00:23:58,840 Is the sun's in the night, we can't open you 225 00:23:58,840 --> 00:24:02,840 No, now we can't open you 226 00:24:02,840 --> 00:24:05,840 No, now we can't open you 227 00:24:05,840 --> 00:24:13,840 (music) 228 00:24:13,840 --> 00:24:40,840 (music) 229 00:24:40,840 --> 00:24:45,840 Light a day, light a day, day, day, day, day 230 00:24:45,840 --> 00:24:54,840 The wind is moving the trees around 231 00:24:54,840 --> 00:25:01,840 And it looks as though they're dancing 232 00:25:01,840 --> 00:25:07,840 The leaves make a sweet and subtle sound 233 00:25:07,840 --> 00:25:14,840 Like they're saying something really fancy 234 00:25:14,840 --> 00:25:20,840 The clouds seem to hurry by 235 00:25:20,840 --> 00:25:27,840 And they must have a date somewhere lovely 236 00:25:27,840 --> 00:25:34,840 The twilight appears to be painting the sky 237 00:25:34,840 --> 00:25:40,840 And isn't even a teeny bit sorry 238 00:25:40,840 --> 00:25:47,840 The ever-lowly autumn has arrived at last 239 00:25:47,840 --> 00:25:54,840 It brings us real, and my heart beats fast 240 00:25:54,840 --> 00:26:00,840 It's such a special season for a very special reason 241 00:26:00,840 --> 00:26:07,840 It brings me the memory of you 242 00:26:07,840 --> 00:26:14,840 My cheeks are turning, at full red 243 00:26:14,840 --> 00:26:20,840 My lips have got a smile, why does it get this? 244 00:26:20,840 --> 00:26:27,840 I'm singing, bloody deep, what's happening to me? 245 00:26:27,840 --> 00:26:34,840 It's autumn, it's autumn, you see 246 00:26:34,840 --> 00:26:40,840 By the day of our five-hour day of the day 247 00:26:40,840 --> 00:26:48,840 My boy, that didn't do the deal for 40 248 00:26:48,840 --> 00:26:54,440 So, that, that, that, that, of all, political value. 249 00:26:54,440 --> 00:26:55,000 But, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that, that 250 00:26:55,000 --> 00:27:06,420 Balala la la la la la la la la la la la la la la la la la la la la la la la la de la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la 251 00:27:06,420 --> 00:27:08,060 No... 252 00:27:08,060 --> 00:27:10,160 No... 253 00:27:10,160 --> 00:27:11,680 No... 254 00:27:11,680 --> 00:27:12,160 No... 255 00:27:12,160 --> 00:27:13,320 No... 256 00:27:13,320 --> 00:27:14,320 No... 257 00:27:14,320 --> 00:27:15,320 No... 258 00:27:15,320 --> 00:27:16,320 No... 259 00:27:16,320 --> 00:27:17,320 No... 260 00:27:17,320 --> 00:27:18,320 No... 261 00:27:18,320 --> 00:27:18,320 No... 262 00:27:18,320 --> 00:27:19,320 No... 263 00:27:19,320 --> 00:27:20,320 No... 264 00:27:20,320 --> 00:27:21,320 No... 265 00:27:21,320 --> 00:27:22,320 No... 266 00:27:22,320 --> 00:27:23,320 No... 267 00:27:23,320 --> 00:27:24,320 No... 268 00:27:24,320 --> 00:27:34,180 ♪ Oh, the ever-lovely autumn has arrived and left ♪ 269 00:27:34,180 --> 00:27:40,460 ♪ It brings a thrill and my heart beats fast ♪ 270 00:27:40,460 --> 00:27:47,260 ♪ It's such a special season for a very special reason ♪ 271 00:27:47,260 --> 00:27:54,100 ♪ It brings me the memory of you ♪ 272 00:27:54,100 --> 00:28:01,600 ♪ My cheeks are turning, I've porrained ♪ 273 00:28:01,600 --> 00:28:07,700 ♪ My lips have got a smile, why does can't you? ♪ 274 00:28:07,700 --> 00:28:17,200 ♪ Oh, I'm singing, la, de, de, what's happening to me? ♪ 275 00:28:17,200 --> 00:28:29,600 It's autumn, it's autumn you see 276 00:28:29,600 --> 00:28:33,040 (Dering,ering,ering) 277 00:28:33,040 --> 00:28:36,400 It's autumn, it's autumn 278 00:28:37,040 --> 00:28:47,160 (Dering,ering,ering) 279 00:28:47,160 --> 00:28:58,160 And that is Marina Oshk from Iceland here on the Phantom Power music hour with her latest addition to the value verse that song is called its autumn. 280 00:28:58,160 --> 00:29:03,520 Prior to that, Mr. Jack Femeister, funkin it up for us with a little track called Setup. 281 00:29:03,840 --> 00:29:10,960 Jack is down in the Melbourne, Australia area. I'm willing to bet the bass player played a Fender P on that. 282 00:29:10,960 --> 00:29:13,920 Kind of reminds me of Jocco Pastoris with those tones. 283 00:29:13,920 --> 00:29:23,840 Beautiful stuff, Jack. Thank you sir. Prior to that, we had Arras from Nashville with her brand new song and the value verse, 284 00:29:23,840 --> 00:29:29,680 called Vices. So you guys digging it? Are you boosting it? Are you sending these guys some sats? 285 00:29:30,880 --> 00:29:38,000 Remember on your phone, on your podcast app or even if you're listening on TrueFans on the web, 286 00:29:38,000 --> 00:29:47,200 when that JPEG of the artist appears and you like that song, that is your opportunity to send them some sats. 287 00:29:47,200 --> 00:29:56,160 That is what value for value is all about. And all you Bitcoin holders, all of your friends that own Bitcoin, 288 00:29:56,160 --> 00:30:03,360 but don't know about these apps and only listen to music on Spotify and iTunes. Come on, we got to get them over here. 289 00:30:03,360 --> 00:30:11,680 We need to expand this community. And if you guys have any questions about how to bring artists in or if you got questions about wallets 290 00:30:11,680 --> 00:30:18,880 and how to move sats around, reach out to us. We are happy to help. This is a movement. It is very early. 291 00:30:18,880 --> 00:30:22,000 And we want to bring as many people in as we can. 292 00:30:23,200 --> 00:30:30,720 Next up, let's go over to North Carolina, one of my favorite bands, a band called "Iro" and we are going to 293 00:30:30,720 --> 00:30:33,520 crash and burn. 294 00:30:33,520 --> 00:30:47,840 [Music] 295 00:30:47,840 --> 00:30:59,920 We walked in and along, we weren't in the road. Trust me now, baby, we're getting cold. 296 00:30:59,920 --> 00:31:21,440 [Music] 297 00:31:21,440 --> 00:31:42,960 [Music] 298 00:31:42,960 --> 00:32:04,480 [Music] 299 00:32:04,480 --> 00:32:26,000 [Music] 300 00:32:26,000 --> 00:32:47,520 [Music] 301 00:32:47,520 --> 00:33:09,040 [Music] 302 00:33:09,040 --> 00:33:30,560 [Music] 303 00:33:30,560 --> 00:33:58,080 [Music] 304 00:33:58,080 --> 00:34:19,600 [Music] 305 00:34:19,600 --> 00:34:41,120 [Music] 306 00:34:41,120 --> 00:35:00,640 [Music] 307 00:35:00,640 --> 00:35:14,160 If you dig it, you gotta boost it. Let's go with herbivore and smoke stack. 308 00:35:14,160 --> 00:35:22,160 [Music] 309 00:35:22,160 --> 00:35:43,680 [Music] 310 00:35:43,680 --> 00:36:05,200 [Music] 311 00:36:05,200 --> 00:36:26,720 [Music] 312 00:36:26,720 --> 00:36:48,240 [Music] 313 00:36:48,240 --> 00:37:09,760 [Music] 314 00:37:09,760 --> 00:37:31,280 [Music] 315 00:37:31,280 --> 00:37:52,800 [Music] 316 00:37:52,800 --> 00:38:14,320 [Music] 317 00:38:14,320 --> 00:38:25,840 [Music] 318 00:38:25,840 --> 00:38:29,840 Here comes FM rodeo with Get Abused Boosted. 319 00:38:29,840 --> 00:38:53,360 [Music] 320 00:38:53,360 --> 00:39:14,880 [Music] 321 00:39:14,880 --> 00:39:36,400 [Music] 322 00:39:36,400 --> 00:39:57,920 [Music] 323 00:39:57,920 --> 00:40:19,440 [Music] 324 00:40:19,440 --> 00:40:40,960 [Music] 325 00:40:40,960 --> 00:41:02,480 [Music] 326 00:41:02,480 --> 00:41:24,000 [Music] 327 00:41:24,000 --> 00:41:45,520 [Music] 328 00:41:45,520 --> 00:41:59,040 [Music] 329 00:41:59,040 --> 00:42:05,520 I think I need a couple of Q-tips after those last two songs that was FM rodeo. 330 00:42:05,520 --> 00:42:09,680 Out of Texas Get Abused. 331 00:42:09,680 --> 00:42:14,000 Prior to that we heard smoke stacks from herbivore prior to that. 332 00:42:14,000 --> 00:42:16,160 Crash and Burn from Iroh. 333 00:42:16,160 --> 00:42:23,840 Common theme between all three of those great bands is that they've all been on the Phantom Power artist hour. 334 00:42:23,840 --> 00:42:28,000 All right, so go back and listen to those great conversations with all those fellas. 335 00:42:28,000 --> 00:42:36,320 Coming up, I'm gonna completely switch it up and I'm gonna bring a song in from Sarah Jade. 336 00:42:36,320 --> 00:42:43,200 I saw Sarah perform this past weekend, her and her husband had a cool little acoustic set, 337 00:42:43,200 --> 00:42:49,680 her husband on a beautiful Polaried Smith acoustic and she was playing the keytar and they blasted 338 00:42:49,680 --> 00:42:56,000 through about 45 minutes of songs and Phoenix. Fun little set and she's got this beautiful song 339 00:42:56,000 --> 00:43:00,000 called Swallow Me Hole and she does this really cool thing where she hands out the lyrics and she 340 00:43:00,000 --> 00:43:05,360 does a sing along with everybody in the audience and it was really, it was really neat. 341 00:43:05,360 --> 00:43:11,680 I would love to see it in kind of like her hometown setting with all of her fans there to check it out. 342 00:43:11,680 --> 00:43:15,120 So check out this beautiful song by Sarah Jade. 343 00:43:15,120 --> 00:43:20,240 It's called Swallow Me Hole and then we're gonna hear a track from Ollie. 344 00:43:20,240 --> 00:43:21,280 Here we go, check it out. 345 00:43:30,800 --> 00:43:40,320 If you must eat me, please swallow me, whoa, don't bend me, don't break me, don't nibble me slow. 346 00:43:40,320 --> 00:43:46,720 If you must eat me, swallow me, oh. 347 00:43:46,720 --> 00:43:54,480 If you must drink me, don't leave me half full. 348 00:43:54,480 --> 00:43:59,360 The touch of your lips is taking its toll. 349 00:43:59,360 --> 00:44:05,520 If you must drink me, swallow me, oh. 350 00:44:05,520 --> 00:44:13,280 If you must have me, just take the full dose. 351 00:44:13,280 --> 00:44:18,080 I know you're afraid of losing control. 352 00:44:18,080 --> 00:44:22,880 If you can't leave me, oh, just leave me alone. 353 00:44:22,880 --> 00:44:28,960 If you must have me, swallow me, oh. 354 00:44:28,960 --> 00:44:39,760 Swallow me, oh, swallow me, oh. 355 00:44:39,760 --> 00:44:48,960 If you must love me, then make it so. 356 00:44:50,560 --> 00:44:54,720 We can't be over if I'm getting under you. 357 00:44:54,720 --> 00:44:56,320 That's just the truth. 358 00:44:56,320 --> 00:44:58,720 Just the truth. 359 00:44:58,720 --> 00:45:02,480 Where she was easy, no, I'm hard to love. 360 00:45:02,480 --> 00:45:07,440 Just a man on the loose, on the loose. 361 00:45:07,440 --> 00:45:13,760 My knee never sigore, a cup of cold drinks, any internet to bring up the last. 362 00:45:13,760 --> 00:45:17,680 Last night with you, I couldn't find what a feeling was. 363 00:45:17,680 --> 00:45:22,240 I slowed this while you're still aware, that we perfectly match. 364 00:45:22,240 --> 00:45:28,640 This burning on, we can't be over if I'm getting under you. 365 00:45:28,640 --> 00:45:30,960 That's just the truth. 366 00:45:30,960 --> 00:45:32,960 Just the truth. 367 00:45:32,960 --> 00:45:36,400 Where she was easy, no, I'm hard to love. 368 00:45:36,400 --> 00:45:41,280 Just a man on the loose, on the loose. 369 00:45:41,280 --> 00:45:47,600 My knee never sigore, a cup of cold drinks, any internet to bring up the last. 370 00:45:47,600 --> 00:45:51,520 Last night with you, I couldn't find what a feeling was. 371 00:45:51,520 --> 00:45:55,920 I slowed this while you're still aware, that we perfectly match. 372 00:45:55,920 --> 00:46:00,960 This burning on, we can't be over if I'm getting under you. 373 00:46:00,960 --> 00:46:05,200 Said the last time was the last time before. 374 00:46:05,200 --> 00:46:09,360 Blame the whiskey, but you don't seem too sure. 375 00:46:09,360 --> 00:46:13,600 Now many roads I can drive through this town, 376 00:46:13,600 --> 00:46:16,720 but that one leading me straight to your door. 377 00:46:16,720 --> 00:46:19,840 I can't lie, it's the first on the right. 378 00:46:19,840 --> 00:46:22,240 Use the parts, at least you had everything. 379 00:46:22,240 --> 00:46:26,160 It's different tonight, no, we both feel the same. 380 00:46:26,160 --> 00:46:31,920 Get in burn from the flame, but I don't want to let you go yet. 381 00:46:31,920 --> 00:46:36,320 Cause we can't be over if I'm getting under you. 382 00:46:36,320 --> 00:46:38,720 That's just the truth. 383 00:46:38,720 --> 00:46:40,560 Just the truth. 384 00:46:40,560 --> 00:46:44,160 Where she was easy, no, I'm hard to love. 385 00:46:44,160 --> 00:46:47,280 Just a man on the loose. 386 00:46:47,280 --> 00:46:55,440 I need never said a record, cold drinks, any internet to bring up the last. 387 00:46:55,440 --> 00:46:59,360 Last night with you, I couldn't find what a feeling was. 388 00:46:59,360 --> 00:47:03,760 I slowed this while you're still aware, that we perfectly match. 389 00:47:03,760 --> 00:47:10,160 This burning on, we can't be over if I'm getting under you. 390 00:47:10,160 --> 00:47:20,160 This burning, it's a night running low, that's the fun. 391 00:47:20,160 --> 00:47:34,880 This is the story of broken stereotypes, 392 00:47:34,880 --> 00:47:46,000 but still on the pavement, this is the story of broken promises, 393 00:47:46,000 --> 00:47:52,240 wondering why they went, why they went. 394 00:47:52,240 --> 00:47:58,080 I didn't want ever right then. 395 00:47:58,080 --> 00:48:02,080 It's so dark I can't watch it. 396 00:48:02,080 --> 00:48:12,080 Oh, go ahead, burn again, anyone who regrets throwing you. 397 00:48:12,080 --> 00:48:22,080 It's just throwing time, you can't afford to lose. 398 00:48:22,080 --> 00:48:29,200 This is the story of redemption through sins, 399 00:48:29,200 --> 00:48:34,160 a rough end with a house that's came in and out. 400 00:48:34,160 --> 00:48:41,360 Never forgive you only because you don't want me to. 401 00:48:41,360 --> 00:48:45,120 Talk to me lost you. 402 00:48:45,120 --> 00:48:50,960 I didn't want ever right then. 403 00:48:50,960 --> 00:48:59,120 It's so dark I can't watch it. 404 00:48:59,120 --> 00:49:05,120 Oh, go ahead, burn again, anyone who regrets throwing you. 405 00:49:05,120 --> 00:49:13,120 It's just throwing time, you can't afford to lose. 406 00:49:13,120 --> 00:49:28,320 This is the story of future undone, they say everyone's time is gotta come. 407 00:49:28,320 --> 00:49:34,320 And that may be true, but it came too soon for you. 408 00:49:34,320 --> 00:49:38,320 Death came too soon for you. 409 00:49:38,320 --> 00:49:44,320 There's no one I want to show you, but I guess it's all hard to do. 410 00:49:44,320 --> 00:49:50,320 Screaming out, very soon, it's all hard to do. 411 00:49:50,320 --> 00:49:54,320 God, save you. 412 00:49:54,320 --> 00:50:02,320 I guess it's all hard to do. 413 00:50:02,320 --> 00:50:06,320 I guess it's all hard to do. 414 00:50:06,320 --> 00:50:10,320 I guess it's all hard to do. 415 00:50:10,320 --> 00:50:12,320 Can't just do for you. 416 00:50:12,320 --> 00:50:16,320 Can't just do for you. 417 00:50:16,320 --> 00:50:18,320 Can't just do for you. 418 00:50:18,320 --> 00:50:20,320 I guess it's all hard to do. 419 00:50:20,320 --> 00:50:28,320 Death by Lions, that's one of Nate Johnathan's projects and that song is called I guess this will have to do. 420 00:50:28,320 --> 00:50:32,320 Love that band, looking forward to having Nate on the show here in a couple weeks. 421 00:50:32,320 --> 00:50:38,320 Prior to that, we had Oli with his latest track Burning Room and then Sarah Jade with Swallow Me Hole. 422 00:50:38,320 --> 00:50:42,320 Want to thank the new artist coming on this week, kicking the show off for us. 423 00:50:42,320 --> 00:50:46,320 Emily, Rona, make sure you are sending her some sats and she's got some great new stuff 424 00:50:46,320 --> 00:50:50,320 coming out here more in the couple weeks coming ahead. 425 00:50:50,320 --> 00:50:56,320 If you know any musicians that are interested in joining the value verse, send them our way. 426 00:50:56,320 --> 00:50:58,320 We are happy to help. 427 00:50:58,320 --> 00:51:06,320 If you hold Bitcoin and you know people who do, but they are not listening to music in this fashion 428 00:51:06,320 --> 00:51:12,320 with these modern podcasting 2.0 apps, you need to get them in here 429 00:51:12,320 --> 00:51:18,320 because this is a heck of a lot more valuable than listening to music on Spotify. 430 00:51:18,320 --> 00:51:24,320 There's a whole bunch of bands here you have never heard of and there's a lot of great ones in here. 431 00:51:24,320 --> 00:51:28,320 Coming up on Friday is the Phantom Power Music Review. 432 00:51:28,320 --> 00:51:34,320 I'm going to dive into the theory and composition behind three songs. 433 00:51:34,320 --> 00:51:37,320 And then on Sunday is the Phantom Power Artist Hour. 434 00:51:37,320 --> 00:51:40,320 This Sunday we're going to be talking with Daddy Napt out of Austin. 435 00:51:40,320 --> 00:51:42,320 That's going to be a great conversation. 436 00:51:42,320 --> 00:51:46,320 And then on Monday we have the business hour. 437 00:51:46,320 --> 00:51:52,320 Next Monday we're going to be talking with Cody from SideStream Music Project and Smash My Records. 438 00:51:52,320 --> 00:51:58,320 Hope you had a chance to listen to the Phantom Power Business Hour that I put out this week with Open Mike 439 00:51:58,320 --> 00:52:04,320 from First Avenue Up in Minneapolis as well as Sam Means from Wave Lake. 440 00:52:04,320 --> 00:52:09,320 We had a great conversation after the Culture Shock event, the Nostre event in Phoenix this past weekend. 441 00:52:09,320 --> 00:52:19,320 And once again a huge shout out to all of the Nostre PHX folks who stuffed me with Mexican food and lawn weather. 442 00:52:19,320 --> 00:52:21,320 Had a great time down there. 443 00:52:21,320 --> 00:52:23,320 Thanks so much for listening guys. 444 00:52:23,320 --> 00:52:26,320 Thanks so much for all the sats and all the saps and all the boosts. 445 00:52:26,320 --> 00:52:29,320 We go over those on Friday during the review. 446 00:52:29,320 --> 00:52:31,320 And in the meantime, 447 00:52:31,320 --> 00:52:34,320 stay at a trouble, smile for the mug shot. 448 00:52:34,320 --> 00:52:36,320 Don't forget to feed the dog. 449 00:52:36,320 --> 00:52:39,320 And yeah, that's about it. 450 00:52:39,320 --> 00:52:42,320 Okay, talk to you later. Thanks for listening. 451 00:52:43,320 --> 00:52:50,320 [Music]