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(upbeat music)

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- Hey everybody, welcome to Phantom Power Music Review.

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You made it to Friday.

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- Good for you.

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Good for you.

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- Thank you guys for joining us

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on this special value cast that we do every Friday.

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- We're just about every Friday.

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- If poker games and gigs don't get in the way.

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On this show, this is where we break down music

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that you will only find in the value verse.

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You can only find it in the value verse.

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And we do a little bit of theory review.

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We do a little bit of lovin' of the liner notes.

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We geek out over the gear.

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So this show is for all my fellow music nerds

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and appreciators of music who would like to learn

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a little something extra.

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My name is Jim, I'm your host.

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I've been in and around the music industry for,

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oh, I don't know about 30 years,

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but I spend a lot of time in the studio,

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a lot of time study in theory,

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a lot of time study in composition,

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a lot of time on the road.

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And I love supporting independent bands.

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And one of the ways I figured I could do that

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is to break down their music

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and let you guys know what I hear

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and maybe you'll hear the same thing

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or find something else.

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And if you dig these songs,

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they are all lightning enabled

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because of this awesome wallet splitting technology

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that exists in apps like Bountain, Podverse, CurioCaster,

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Podcast Guru, TrueFans.

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You know what to do.

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You guys know what to do.

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If you dig it, you gotta boost it, right?

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All right, so let's dive in to our first song

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from a band out of Minnesota called 12 Rods

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and 12 Rods has a value for value concert coming up.

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Saturday, April 6th, live in the value verse

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from Taylor Sound, which I believe is up in the Minneapolis,

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Minneapolis, Minneapolis, land of lakes area.

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All right, I think so.

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All right, let's check out.

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Private spies.

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Let's listen to it first

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and then I'll break it down for you.

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You ready? Here we go.

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(upbeat music)

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♪ You are now ♪

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♪ Where does your point come up ♪

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♪ You all alone ♪

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♪ All those clouds you can't hear ♪

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♪ That's how long ♪

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♪ I told you a secret ♪

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♪ Will you promise not to get so mad ♪

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♪ For is that the pride and faith ♪

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♪ The secret lead in life ♪

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♪ You're bound to play ♪

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♪ You're bound to play ♪

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♪ And don't forget the word of God ♪

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♪ You're faith ♪

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♪ All these colleges ♪

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♪ All these shins and men ♪

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♪ What is my reason ♪

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♪ I'm blinded ♪

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♪ There everything I have got to do ♪

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♪ Is bringin' a little vow ♪

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♪ Bring out your account ♪

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♪ All those times ♪

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♪ I will bring you to the point ♪

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♪ What I know ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ What was I known that you loved under God ♪

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♪ You won't be your best friend ♪

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♪ So you don't gotta worry about who you know ♪

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♪ You'll give me that you're the station ♪

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♪ You'll know we had a great battle, hey ♪

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♪ You don't gotta worry about the new love ♪

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♪ I said you don't wanna ♪

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♪ You don't gotta worry about the battle ♪

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♪ What is my reason ♪

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♪ I'm blinded ♪

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♪ There everything I have got to do ♪

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♪ Is bring a little vow ♪

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♪ Bring out your account ♪

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♪ All those times ♪

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♪ I will bring you to the point ♪

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♪ What is my reason ♪

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♪ I'm blinded ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Bring out your account ♪

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♪ Bring out your account ♪

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♪ All those times ♪

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♪ I will bring you to the point ♪

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♪ What is my reason ♪

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♪ I wanna know we never met ♪

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♪ I don't wanna know ♪

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♪ It's temptation, all this and no patience ♪

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♪ I am blinded ♪

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♪ There everything I have got to do ♪

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♪ Is bring a little vow ♪

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♪ Bring out your account ♪

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♪ All those times ♪

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♪ I will bring you to the point ♪

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♪ What is my reason ♪

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♪ I am blinded ♪

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♪ Where everything I have got to do ♪

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♪ Bring a little vow ♪

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♪ Bring out your account ♪

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♪ All those times ♪

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♪ I will bring you to the point ♪

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♪ What is my reason ♪

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♪ I am blinded ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Where does your girl and her girlfriend go ♪

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♪ Where does your girl and her girlfriend go ♪

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Literally feel like I just walked out of a John Hughes movie.

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Like I was just watching breakfast club or weird science or Uncle Buck.

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Plains, trains and automobiles.

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That is that sound, that whole vibe screams late 80s, right?

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It reminds me of the very first four bars, the guitar picking part in the first four bars.

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Reminds me of John Wait.

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You guys remember that song?

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♪ I am missing you at all ♪

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Right?

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That picking part reminds me of John Wait.

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And John was in a band called The Babies.

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Kind of had a side bar with some of the guys in the journey.

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Also reminds me of World Party.

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If you guys ever heard that band, now I'm dating myself by saying that.

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But I flip and love this project.

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And I just came to find out I was just reading about it today as I was doing a little bit of research on the band.

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These guys, they're from Minnesota, the primary songwriter is a guy with an even Ryan Alcott.

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And I guess they were huge up in Minneapolis in the 90s.

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And I guess he had written these songs or forgotten about them or even demoded them.

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And then pulled them out again during COVID and put the band back together.

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I mean, holy crap, man.

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That is such a cool story.

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That is such a cool story.

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So the first thing that really strikes me about this song is just the overall John Hughes vibe.

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It reminded me of the 80s and early 90s.

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And I didn't know anything about it.

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And then when I started reading about it, all of those memories started flooding back.

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From a music theory standpoint.

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All right, let's get geeky.

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It's 113 BPM, roughly.

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But what's really cool is how they bounce back and forth between these two keys.

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F and D.

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Which in many respects are not related to each other at all.

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And how Ryan and the band are able to oscillate between those two different keys is really cool.

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And you just don't hear bands going from something like F to a D major.

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You would hear them go to the relative minor a lot.

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But you don't hear them go down to the major key.

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And the fact that they played that back and forth throughout the entire song is just fascinating.

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And I absolutely love it.

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I also love if you sit here and count out all the sections.

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Like, count out the intro. That's eight bars.

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Then you get to the verse, you know, where he goes, I wanna know what does your boy-

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Right, that's a seven bar phrase. Then they do an eight bar phrase on a pre-chorus on the line where it told you a secret.

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Then they go back to a seven bar phrase when he's up in his higher register, play your little nympho games.

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And there's some really cool beats, accents that happen on the fourth measure of that song.

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And then when he hits private spies like the whole chorus of it, that's an eight bar phrase.

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And they change the key again on measure five.

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Not only are they oscillating back and forth between two really weird keys, F major and D major,

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but he's going back and forth between eight bar phrases and seven bar phrases.

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It's like if John Hughes told Rush, "Hey guys, I need a song."

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For this latest Brad Pack movie, right?

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And then the other two things that I love about it, number one, the length of the song.

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The fact that the form just doesn't mean shit, you know?

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I really love it when bands surprise me like that and they do multiple solos.

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There was two guitar solos in this song, really.

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There was the one after the second chorus and then there was the outro solo.

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So that is refreshing to hear and it's also refreshing to hear songs that just breathe in their own space

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and that are not sitting under three minutes.

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This one clock's in it over four.

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I would love to see this band.

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I would love to see how they pull this off.

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The last thing that I will say is as I'm sitting here in front of my piano, you know,

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and I was going through the chords, trying to figure out the bass line, right?

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I sat here and I thought it...

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Whatever the line is, I just screwed it up there.

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But I thought it for a while because I couldn't figure out what the hell was going on.

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And then I realized, "Oh, like, they must have recorded this tape because it is slightly off of 440."

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And what I mean by that is where I have my piano set right now is at 433.8.

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And 440 is the standard tuning.

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So maybe there was an issue with the tape speed, maybe it was intentional.

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But if this sounds a little out of tune to you, I would suggest two things.

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Number one, you might have perfect pitch.

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You are far too accustomed to pop music always being 440.

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And you should look up some research on the effect that music has on you when it is recorded at tape speeds or lower hurt settings.

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There's been some fascinating studies on that that you ought to check out.

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So that is 12 rods, that is private spies.

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I could spend an hour diving into it, but I don't want to get too geeky. I want to try and keep it high level.

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I love the key changes. I love the 7-8 measure phrases that are atypical.

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I love the structure. I love the dude's voice. I would love to see them live.

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So I hope you checked them out live in the value verse on April 6th. Sound cool?

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Alright, let's move on to the next one.

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Thank you fellas that was a lot of fun. I love that track.

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All right let's read off some boosts and zaps from the past week shall we?

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[Music]

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borsan otherwise known as tomas in Germany. Thanks man, thanks for following along

346
00:34:51,660 --> 00:34:59,020
allen seapall, true fans, mere mortals podcast. Really appreciate you guys down in

347
00:34:59,020 --> 00:35:04,240
australia, chiming in and listening to what we're doing. Chad f always see you

348
00:35:04,240 --> 00:35:12,900
chiming in. Thank you sir. Same goes for Batvin 321 greatly appreciate your

349
00:35:12,900 --> 00:35:19,340
continued support. Shout out to man like quacks and joe martin music for

350
00:35:19,340 --> 00:35:25,740
listening in donkey whoever donkey is do in k y. Thanks man. Thanks so much for

351
00:35:25,740 --> 00:35:32,060
listening to our shows. I'm happy I am api always see you listening in and it's

352
00:35:32,060 --> 00:35:38,380
very much appreciated. Same thing goes for just listening greatly appreciate

353
00:35:38,380 --> 00:35:46,380
your streaming sats and your boosts. Shout out to radio Michael. Thank you sir

354
00:35:46,380 --> 00:35:52,260
greatly appreciate you listening. Mary osker dude we owe you a debt of gratitude

355
00:35:52,260 --> 00:35:57,340
for fountain. Thank you sir. Appreciate you listening in. Same thing goes to

356
00:35:57,340 --> 00:36:02,540
lightning store. Sam thanks brother appreciate you listening in. Hey by the way

357
00:36:02,540 --> 00:36:06,540
Sam and Michael nice nice episode the other day talking about licensing.

358
00:36:06,540 --> 00:36:12,020
Greatly appreciate your kind your kind words. Thank you guys for listening in.

359
00:36:12,020 --> 00:36:17,860
Look at that Chad f goodness gracious dude thanks man. Always appreciate you listening

360
00:36:17,860 --> 00:36:26,100
in. Cole McCormick out there in California. Thank you thank you very much. Orange pill

361
00:36:26,100 --> 00:36:30,780
app. Oh right on thanks guys that's that's awfully kind of you appreciate you

362
00:36:30,780 --> 00:36:39,060
listening in. Gene Bean. Gene Bean. Lots of sats coming in from you thank you

363
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Dovidos my fellow opera fan Dovidos we got to get some opera singers in this

364
00:36:44,540 --> 00:36:49,340
space man right. That would be awesome. I'd love to have opera in the value

365
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verse. I just I'd sit back in my chair like like that dude in Shawshank

366
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Redemption just blast opera to everybody with a smile on my face while the

367
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warden is trying to bust in the bust down the office doors. User 4-8

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excuse me. User 4-1-8. 3-8-1-8-7 whoever you are 480 sats. Thanks very nice of you

369
00:37:15,020 --> 00:37:30,260
I appreciate that Joel W. Thank you whoever is Ness T anate. Nes T Nate

370
00:37:30,260 --> 00:37:35,760
maybe it's Nate who loves Nest T who loves Nestle products. I don't know but

371
00:37:35,760 --> 00:37:40,020
Nate appreciate your sats and your contributions. Thank you very much very kind of

372
00:37:40,020 --> 00:37:45,020
you for listening in appreciate it. More from Salty Crayon brother Salty down

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00:37:45,020 --> 00:37:49,340
in Tejas. Appreciate you behind all the stuff you do behind the scenes too

374
00:37:49,340 --> 00:37:53,220
sir and and helping out to you know put in famed power artists on your shows

375
00:37:53,220 --> 00:37:58,220
greatly appreciate it sir. Always love your candor Salty don't ever change

376
00:37:58,220 --> 00:38:03,640
baby don't ever change back then 321 coming in hot once again thank you John

377
00:38:03,640 --> 00:38:10,780
SB RT John's Brack John's like I don't know just John like Bratz John from

378
00:38:10,780 --> 00:38:15,820
Wisconsin who knows love it thank you sir appreciate your kind words and all

379
00:38:15,820 --> 00:38:25,700
the sats that you have been sending in Nicholas B 58 and Max Wood thank you

380
00:38:25,700 --> 00:38:33,140
guys very much for listening greatly appreciate your support quiet warrior

381
00:38:33,140 --> 00:38:38,660
thanks man thank you very much shout out to Phoenix and the awesome Noster

382
00:38:38,660 --> 00:38:44,660
crew and the Noster plebs good podcast brother Saints and sats thank you very

383
00:38:44,660 --> 00:38:52,980
much. Kos Peland who K A A S underscore Peland thank you appreciate you listening

384
00:38:52,980 --> 00:38:59,260
in Galactic Starfish love that name that's a great one thanks for your sats

385
00:38:59,260 --> 00:39:06,060
Eric P P nice to see you again sir thank you very much for your support

386
00:39:06,060 --> 00:39:17,220
Zach attack awesome god-free thank you at Nick thank you at user 213 9 8 8 7 1

387
00:39:17,220 --> 00:39:23,700
thank you very much these laughs thanks for the boost appreciate you Sir Sean

388
00:39:23,700 --> 00:39:30,580
McHughan of the an Allegheny Valley love it thank you very much and last but not

389
00:39:30,580 --> 00:39:38,980
least Juho J U H O E E M E L I I don't know how to pronounce that but I do

390
00:39:38,980 --> 00:39:43,980
appreciate you listening and streaming and sending your support thank you very

391
00:39:43,980 --> 00:39:50,460
much coming up Sunday on the phantom power artist hour we've got the higher

392
00:39:50,460 --> 00:39:58,780
low had a great conversation with him earlier this week talked about Finland

393
00:39:58,780 --> 00:40:04,980
punk music traveling the world for Bitcoin it's a really fun conversation he's

394
00:40:04,980 --> 00:40:10,500
a he's a really cool guy it's a really cool guy so that is Sunday the phantom

395
00:40:10,500 --> 00:40:17,060
power artist hour on Monday really cool interview with my favorite indie

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artist here in Nashville who is going to start putting her music up into the

397
00:40:21,260 --> 00:40:28,180
value verse her name is bonner black bonner is just a kickass Americana pop writer

398
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here in town a great social media presence she's been at it for about ten

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years and is just phenomenal so it was thrilled to get her on the show and can't

400
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wait to get her music up into the value verse and then of course next Wednesday

401
00:40:42,380 --> 00:40:48,380
we've got the phantom power music hour and I got a world debut for you that's

402
00:40:48,380 --> 00:40:52,820
gonna be awesome looking forward to that on Wednesday you can always find us

403
00:40:52,820 --> 00:40:57,820
on telegram you can find us on Instagram you can find us on Noster you can find

404
00:40:57,820 --> 00:41:04,900
us on Twitter you can reach out to us via our website phantompowermusic.io

405
00:41:04,900 --> 00:41:12,860
and that'll do it everybody good hope everybody is gonna have a great great

406
00:41:12,860 --> 00:41:19,820
weekend thank you guys so much for listening smile for the mug shot see you

407
00:41:19,820 --> 00:41:27,420
♪ ♪