1 00:00:00,000 --> 00:00:08,000 [Music] 2 00:00:08,000 --> 00:00:16,000 Hey, what is up everybody? This is Phantom Power Music Episode 20. It is Wednesday. 3 00:00:16,000 --> 00:00:24,000 The 13th of March, 2024, and we are so happy that you are joining us. We got a lot of new songs that we're debuting today. 4 00:00:24,000 --> 00:00:32,000 So stick around, make sure you catch all of those. This of course is a value for value, podcast value cast thing. 5 00:00:32,000 --> 00:00:37,000 Right? You're listening to us on Founcin or CurioCaster or Podverse. 6 00:00:37,000 --> 00:00:43,000 One of those awesome apps that you can download after you visit podcasting2.org 7 00:00:43,000 --> 00:00:51,000 because you can send little bits of Bitcoin, otherwise known as Satoshi's, directly to the artist and the host 8 00:00:51,000 --> 00:00:59,000 if you find value in the value that they are giving to you by placing their music up in these streams 9 00:00:59,000 --> 00:01:05,000 in these beautiful crystal clear RSS streams that are changing the world. 10 00:01:05,000 --> 00:01:10,000 Boy, that's a lot, right? I mean, they've been around for 25 years. 11 00:01:10,000 --> 00:01:20,000 Kind of sleeping in the background, creeping up on you. Kind of a weird intro, but you know, I'll keep it. 12 00:01:20,000 --> 00:01:29,000 All right. Enough of my yak and you're not here to listen to me say stupid things. You are here for quality music. 13 00:01:29,000 --> 00:01:37,000 Speaking of quality music, let's kick it off from Portland, Oregon with TJ Wong and a beautiful blues track, 14 00:01:37,000 --> 00:01:44,000 uplifting track by this fine young man called Kingdom Come. Take it away, buddy. 15 00:01:44,000 --> 00:01:54,000 [Music] 16 00:01:54,000 --> 00:02:02,000 Brother and sister, Mrs and Mr. 17 00:02:02,000 --> 00:02:12,000 Don't you know who for you? Don't you know that my heart is true? 18 00:02:12,000 --> 00:02:20,000 Doesn't matter what you've done, doesn't matter where you been. 19 00:02:20,000 --> 00:02:24,000 [Music] 20 00:02:24,000 --> 00:02:30,000 Welcome to the Kingdom Come. This is what it will live in. 21 00:02:30,000 --> 00:02:40,000 People from all places, doesn't matter what you've racist. 22 00:02:40,000 --> 00:02:52,000 Don't you know that love is so? I'll be my best, not to let you go. 23 00:02:52,000 --> 00:03:02,000 Doesn't matter what you've done, doesn't matter where you've been. 24 00:03:02,000 --> 00:03:10,000 Welcome to the Kingdom Come. This is what it will live in. 25 00:03:10,000 --> 00:03:36,000 [Music] 26 00:03:36,000 --> 00:03:50,000 [Music] 27 00:03:50,000 --> 00:03:58,000 People from all backgrounds, go ahead and put your weapons down. 28 00:03:58,000 --> 00:04:10,000 Don't you know we don't need to fight? 29 00:04:10,000 --> 00:04:28,000 [Music] 30 00:04:28,000 --> 00:04:50,000 Doesn't matter what you've done, doesn't matter where you've been. 31 00:04:50,000 --> 00:05:00,000 [Music] 32 00:05:00,000 --> 00:05:06,000 Take the whole path in terms of a marathon. 33 00:05:06,000 --> 00:05:14,000 I think we'll try and be as good, too much too fast, we'll see that broken again. 34 00:05:14,000 --> 00:05:26,000 Dead weight falls by the wayside. There's a pressure here that I've counted for by the engine here. 35 00:05:26,000 --> 00:05:36,000 It's a donation of blood. It's a goddamn country here blood. 36 00:05:36,000 --> 00:05:42,740 We demons and terrified, yes or otherwise fight. 37 00:05:42,740 --> 00:05:46,320 To decide we're not there for one. 38 00:05:46,320 --> 00:05:54,960 We demons and terrified, yes or otherwise fight. 39 00:05:54,960 --> 00:06:00,680 To decide we're not there for one. 40 00:06:01,800 --> 00:06:07,880 This is the field of life to be silent tonight you will be. 41 00:06:07,880 --> 00:06:19,560 You've been with the most people I've been thinking. 42 00:06:19,560 --> 00:06:25,520 Unappointed television stories. 43 00:06:25,520 --> 00:06:30,640 But they made them cheap enough to hang on to every wall. 44 00:06:30,640 --> 00:06:36,960 So we lay here distracted from the fall. 45 00:06:36,960 --> 00:06:48,800 And I've sworn that the sick of it, but also taken in by the sheer magnitude of it all. 46 00:06:48,800 --> 00:06:55,200 We demonize and terrified, yes or otherwise fight. 47 00:06:55,200 --> 00:07:00,960 To decide we're not there for one. 48 00:07:00,960 --> 00:07:07,280 We demonize and terrified, yes or otherwise fight. 49 00:07:07,280 --> 00:07:10,920 To decide we're not there for one. 50 00:07:10,920 --> 00:07:20,000 What are we waiting for? 51 00:07:20,000 --> 00:07:25,760 Nothing is more than just going to one and four. 52 00:07:25,760 --> 00:07:28,960 And don't you want it more? 53 00:07:28,960 --> 00:07:31,760 What are we waiting for? 54 00:07:31,760 --> 00:07:34,560 We're not going to hold them in the door. 55 00:07:34,560 --> 00:07:39,880 Sometimes I think that's all there is. 56 00:07:39,880 --> 00:07:43,400 That is hold the line by death by lions out of Michigan. 57 00:07:43,400 --> 00:07:46,120 Otherwise known as a Nate Johnovan project. 58 00:07:46,120 --> 00:07:47,640 Love that dude, love his writing. 59 00:07:47,640 --> 00:07:52,960 And kicking the show off today was Kingdom Come by TJ Wong out of Portland, Oregon. 60 00:07:52,960 --> 00:07:57,280 TJ is a great kid, known him for a while, thrilled that he is in the valueverse. 61 00:07:57,280 --> 00:08:01,800 And I love the dichotomy of having a song like Kingdom Come and all the positivity that it 62 00:08:01,800 --> 00:08:05,960 talks about and then completely ripping the transmission out of the car and doing something 63 00:08:05,960 --> 00:08:10,760 heavy and hold the line by death by lions and all the implications of those lyrics. 64 00:08:10,760 --> 00:08:11,760 Love it. 65 00:08:11,760 --> 00:08:13,000 That's the beautiful thing about art. 66 00:08:13,000 --> 00:08:15,360 It can take you on wonderful journeys, right? 67 00:08:15,360 --> 00:08:19,160 Keep it rolling on with a valueverse debut from Emily Rona. 68 00:08:19,160 --> 00:08:21,040 This is her second track in the space. 69 00:08:21,040 --> 00:08:24,120 The first one of course is someone else. 70 00:08:24,120 --> 00:08:28,160 Shout out to Salty Cran for putting her on his show up beats. 71 00:08:28,160 --> 00:08:29,400 Thank you, sir. 72 00:08:29,400 --> 00:08:33,000 Here is Emily Rona and the valueverse debut of Breathe. 73 00:08:33,000 --> 00:08:48,000 I'm here again, down in this hole at dark. 74 00:08:48,000 --> 00:08:51,800 Don't know how I felt. 75 00:08:51,800 --> 00:08:56,920 Guess I'm just so easy to shove. 76 00:08:56,920 --> 00:09:07,920 I can feel them spot as creep and eat in the wax in my brain and I'm down again, sinking 77 00:09:07,920 --> 00:09:08,920 into nothing. 78 00:09:08,920 --> 00:09:21,960 Breathe, oh, breathe, oh, baby, I should just try to breathe in some hell, hell, hell, 79 00:09:21,960 --> 00:09:27,280 what's in your life, free? 80 00:09:27,280 --> 00:09:30,280 Am I better yet? 81 00:09:30,280 --> 00:09:33,280 Thought I'd be by now. 82 00:09:33,280 --> 00:09:39,680 It's been so much time trying to climb my way out. 83 00:09:39,680 --> 00:09:47,120 I'm a failure and I'll tie a joke in on to an decay. 84 00:09:47,120 --> 00:09:53,840 While spot is crunched on what's left of me. 85 00:09:53,840 --> 00:10:04,480 Breathe, oh, breathe, oh, baby, I should just try to breathe in some hell, hell, hell, 86 00:10:04,480 --> 00:10:33,200 what's in your life, free? 87 00:10:33,200 --> 00:10:43,200 Am I better yet? 88 00:10:43,200 --> 00:11:09,920 I don't want to what I let take me. 89 00:11:09,920 --> 00:11:25,920 I don't want to what I let take me. 90 00:11:25,920 --> 00:11:45,920 I don't want to what I let take me. 91 00:11:45,920 --> 00:12:00,040 I'm maybe different but I'm not a fool. 92 00:12:00,040 --> 00:12:04,040 You made your mistakes but the same goes for you. 93 00:12:04,040 --> 00:12:09,240 But you like to fool with what I say to you. 94 00:12:09,240 --> 00:12:23,160 You made me look so foolish, chasing after you. 95 00:12:23,160 --> 00:12:33,840 Sometimes I wake up to phone calls from you. 96 00:12:33,840 --> 00:13:00,560 You made me look so foolish, chasing after you. 97 00:13:00,560 --> 00:13:10,560 You made me look so foolish, chasing after you. 98 00:13:10,560 --> 00:13:20,560 You made me look so foolish, chasing after you. 99 00:13:20,560 --> 00:13:34,560 But I'm not a fool. You can use how you like. 100 00:13:34,560 --> 00:13:44,560 There's no one to end you lonely over the second night. 101 00:13:44,560 --> 00:14:08,560 I've made you wait and ever, I know you're not your treasure. 102 00:14:08,560 --> 00:14:20,560 I'd say if you're the only one who's everything, I might as well run to someplace. 103 00:14:20,560 --> 00:14:32,560 I think then to have fun with you. 104 00:14:32,560 --> 00:14:42,560 That is Mac Jamie with a great song called She Who Runs the World and there was two things that turned me on to that song. 105 00:14:42,560 --> 00:14:46,560 I loved the title so much. 106 00:14:46,560 --> 00:14:52,560 And then when I heard the groove, that got it, got it, got it, got it, got it, got it. 107 00:14:52,560 --> 00:14:56,560 All those off beats just like I was hooked. 108 00:14:56,560 --> 00:15:08,560 Love that track. Happy to have it on the Phantom Power Music Hour. 109 00:15:08,560 --> 00:15:10,560 I hope you guys are stacking some sats his way. 110 00:15:10,560 --> 00:15:20,560 I wanted to take a minute and make sure that you guys know of all of the other great shows that you should be following. 111 00:15:20,560 --> 00:15:28,560 All of these great other music shows such as Boost a Grand Ball, which of course we all know about. 112 00:15:28,560 --> 00:15:42,560 But there's also up beats, there's also It's a Mood, there is Homegrown Hits, there is Mutton Meat in Music, there is the Sidestream Music Product, a product, project, podcast for God's sakes. 113 00:15:42,560 --> 00:15:44,560 I can't even talk today. 114 00:15:44,560 --> 00:15:52,560 That's in Sounds and then of course Radio V with Jimmy V. So there's at least a dozen of us out here and I know that there's some other shows that throw music in. 115 00:15:52,560 --> 00:15:58,560 Like every now and then Adam and Dave will throw in a track to the podcasting board room that happens every Friday. 116 00:15:58,560 --> 00:16:04,560 I know that the guys from behind the schemes shout out to Lavish and Boo Berry. 117 00:16:04,560 --> 00:16:06,560 I know every now and then they will throw a track in. 118 00:16:06,560 --> 00:16:13,560 But I would really encourage you guys to be checking out all of these other music shows and you can find them when you open up Fountain or Podverse. 119 00:16:13,560 --> 00:16:16,560 And just search for music shows. 120 00:16:16,560 --> 00:16:17,560 Cool. 121 00:16:17,560 --> 00:16:18,560 Alright, let's keep it rolling. 122 00:16:18,560 --> 00:16:22,560 Let's do another debut into the value verse. 123 00:16:22,560 --> 00:16:25,560 Let's take another track from Arras. 124 00:16:25,560 --> 00:16:28,560 So glad to have Arras in the space. 125 00:16:28,560 --> 00:16:35,560 And this is another one of those kick ass girl power anthem songs customized with Arras is beautifully strong voice. 126 00:16:35,560 --> 00:16:38,560 This is called Straight to Hell. 127 00:16:38,560 --> 00:16:44,560 So let's go there with Arras on the Phantom Power Music Hour Episode 20. 128 00:16:44,560 --> 00:16:52,560 [Music] 129 00:16:52,560 --> 00:17:02,560 [Music] 130 00:17:02,560 --> 00:17:12,560 [Music] 131 00:17:12,560 --> 00:17:22,560 [Music] 132 00:17:22,560 --> 00:17:32,560 [Music] 133 00:17:32,560 --> 00:17:36,560 [Music] 134 00:17:36,560 --> 00:17:46,560 [Music] 135 00:17:46,560 --> 00:17:56,560 [Music] 136 00:17:56,560 --> 00:18:00,560 [Music] 137 00:18:00,560 --> 00:18:04,560 [Music] 138 00:18:04,560 --> 00:18:16,500 When she says it's not her shirt and you say it late for work, then she asked you why you smell as cigarettes and trees 139 00:18:16,500 --> 00:18:28,500 She says you'll be uncool by your think, you're playing it, cool, 'cause my lips are on, you're not in wing, no love's made before 140 00:18:28,500 --> 00:18:43,500 Just a kiss, just a crush, it's just a choice, then it's all too much, yeah, you'll get on, you'll get a gun, catch your eyes 141 00:18:43,500 --> 00:18:52,500 I've become the drug that you just can't quit and tell me, by what time you're in, you don't have to 142 00:18:52,500 --> 00:19:09,500 Come here, I know I don't love you, baby, now hope you feel the same, change my name on, you're so mean, be a thug, so I promise that I won't go, go and straighten your hair 143 00:19:09,500 --> 00:19:24,500 Just a dream, I'm just a rose, but if you want, it's just a choice, yeah, I need, I'm just a fire, put me out, I'm burning now 144 00:19:24,500 --> 00:19:30,500 And if I'm used to being the talker, then it's down 145 00:19:30,500 --> 00:19:40,500 So tell me, by what do you mean, saying you should, come, come, you think that you love me, baby, I will run right away 146 00:19:40,500 --> 00:19:51,500 Got you under, let's fill it, my name I play, and burning you up, because you're feeling I'm going straight to hell 147 00:19:51,500 --> 00:20:11,500 Hell, hell, I'm not a straight to hell, hell, hell, hell, hell, hell, I'm not a straight to hell 148 00:20:12,500 --> 00:20:21,500 [Music] 149 00:20:22,500 --> 00:20:31,500 [Music] 150 00:20:31,500 --> 00:20:41,500 [Music] 151 00:20:51,500 --> 00:21:05,500 Bring your soul to the river, you can bring your soul to the river, bring your soul to the river 152 00:21:05,500 --> 00:21:20,500 We won't drop your soul in river, lead and be waited, lead and jealousy 153 00:21:20,500 --> 00:21:31,500 Bring dance and infinity, where we'll drop your soul in river 154 00:21:31,500 --> 00:21:37,500 One, two, three, baby, step towards me, career 155 00:21:37,500 --> 00:21:41,500 I said he must lead dissatisfaction 156 00:21:41,500 --> 00:21:47,500 I said, one, two, three, then you'll learn how to swim, career 157 00:21:47,500 --> 00:21:51,500 I said he must lead dissatisfaction 158 00:21:51,500 --> 00:21:58,500 Oops, it's Daisy, I said an action that you will never really be happy to keep 159 00:21:58,500 --> 00:22:02,500 Coming back from more, when your soul just can't take the ball 160 00:22:02,500 --> 00:22:09,500 You keep coming back from more, when your soul just can't take the ball 161 00:22:09,500 --> 00:22:17,500 To the river, to the river, to the river 162 00:22:17,500 --> 00:22:27,500 Bring your heart to the river, you can bring it up as better 163 00:22:27,500 --> 00:22:37,500 Bring your youth, we won't drop the boy in river 164 00:22:37,500 --> 00:22:43,500 One, two, three, baby, step towards me, career 165 00:22:43,500 --> 00:22:47,500 I said he must lead dissatisfaction 166 00:22:47,500 --> 00:22:50,500 I said, one, two, three, come on 167 00:22:50,500 --> 00:22:52,500 I said, one, two, three, come on 168 00:22:52,500 --> 00:22:57,500 I said he must lead dissatisfaction 169 00:22:57,500 --> 00:23:05,500 Oops, it's Daisy, I said an action that you will never really be happy to keep coming back from more 170 00:23:05,500 --> 00:23:08,500 When your soul just can't take the ball 171 00:23:08,500 --> 00:23:14,500 You keep coming back from more, when your soul just can't take the ball 172 00:23:14,500 --> 00:23:22,500 To the river, to the river, to the river 173 00:23:22,500 --> 00:23:37,500 Bring your father, bring your mother, bring your family 174 00:23:37,500 --> 00:23:42,500 I will drop the boy in the river 175 00:23:42,500 --> 00:23:52,500 You can bring your brother, you can bring your sister 176 00:23:52,500 --> 00:23:57,500 You can bring your love home 177 00:23:57,500 --> 00:24:02,500 Because I will drop the boy in river 178 00:24:02,500 --> 00:24:11,500 You can bring your brother, you can bring your sister 179 00:24:11,500 --> 00:24:18,500 You can bring your love home 180 00:24:18,500 --> 00:24:31,500 To the river, to the river, to the river 181 00:24:31,500 --> 00:24:40,500 We'll drown your soul in the river 182 00:24:40,500 --> 00:24:47,500 And that is Lomba with her track, The River, here on the Phantom Power Artist Hour 183 00:24:47,500 --> 00:24:50,500 Episode 20 for Wednesday, March 13th 184 00:24:50,500 --> 00:24:59,500 And if you're geographically keeping track, that is two artists from Zambia and two from Nashville, one from Portland 185 00:24:59,500 --> 00:25:02,500 And one from Michigan 186 00:25:02,500 --> 00:25:03,500 That's right 187 00:25:03,500 --> 00:25:10,500 So let's keep it going here, shall we? Let's do another value-verse debut from Mr. Jack Femmeister 188 00:25:10,500 --> 00:25:15,500 Hanging out down there, way down under, way down there in Brisbane 189 00:25:15,500 --> 00:25:21,500 It's another great track from Jack, I love his writing, I love the fact that he just doesn't care 190 00:25:21,500 --> 00:25:30,500 What people think in terms of what and when and where he's going to put stuff out, he has put out stuff that's been brilliantly poppy and commercially 191 00:25:30,500 --> 00:25:38,500 And then he has turned right around and said, "You know what, I'm going to take a little bit of, uh, oh Tom York, a little bit of Jeff Buckley, a little bit of Elliott Smith 192 00:25:38,500 --> 00:25:42,500 And I'm going to throw in some even more whacking-ness and I'm going to do whatever the hell I want to do 193 00:25:42,500 --> 00:25:46,500 And that is Jack Femmeister and I love his artistry for it 194 00:25:46,500 --> 00:25:53,500 So here is his third track in the value-verse and it is called Morgan, take it away Jack 195 00:25:53,500 --> 00:26:00,500 [Music] 196 00:26:00,500 --> 00:26:05,500 Morgan's soling down the river 197 00:26:05,500 --> 00:26:09,500 [Music] 198 00:26:09,500 --> 00:26:19,500 [Music] 199 00:26:19,500 --> 00:26:29,500 [Music] 200 00:26:29,500 --> 00:26:38,500 [Music] 201 00:26:38,500 --> 00:26:48,500 [Music] 202 00:26:48,500 --> 00:26:58,500 [Music] 203 00:26:58,500 --> 00:27:02,500 [Music] 204 00:27:02,500 --> 00:27:05,500 [Music] 205 00:27:05,500 --> 00:27:10,600 I just wanna be here But now when I did the words when I threw my 206 00:27:10,600 --> 00:27:19,480 fragment scene, my flesh just all in this room still swimming in 207 00:27:19,480 --> 00:27:34,480 I remember the morning, yeah I was busy falling in the morning, I heard it's you 208 00:27:34,480 --> 00:27:42,480 I was all bad, I heard a photographic mobs to pop in now, I swear 209 00:27:42,480 --> 00:28:04,480 Oh, so many of the problems, took me all sorts of journeys when I breathed through 210 00:28:04,480 --> 00:28:24,480 the morning, I heard it's you, I was all bad, I heard a photographic mobs to pop in 211 00:28:24,480 --> 00:28:35,480 what's fine, I have to know it's been a while I can run a town, I've fed my own, so she took me this place, could be out 212 00:28:35,480 --> 00:28:52,480 but next thing the world was hung over and over and over and over and over and over and over, it all went down 213 00:28:52,480 --> 00:29:04,480 but I still don't see it die in life With all the beauty of a wife and a life at the end 214 00:29:04,480 --> 00:29:16,480 but I'm close to inspection, there's nothing inside So long times of the winter, I always bring on the night 215 00:29:16,480 --> 00:29:28,480 Oh, morning she's my precious picture, stars telling the day I say, "quitnium for so many rivers" 216 00:29:28,480 --> 00:29:35,480 I cooked, I'm not gonna much worse, just get the hurt, get the hurt, get the hurt 217 00:29:35,480 --> 00:29:47,480 I'm not gonna miss you, it's not she, it's not she, it's not she, I think we're alive, I'm not gonna recognize 218 00:29:47,480 --> 00:29:59,480 The people in places, they're bright at night, I scream, I cry, they won't be lost, they'll be lost, they'll be lost, they'll be lost, I'm not gonna eat all 219 00:29:59,480 --> 00:30:28,660 That's not surprised, that's not surprised, that's not surprised... 220 00:30:28,660 --> 00:30:52,300 I'm not surprised, I'm not surprised, I'm not surprised... 221 00:30:52,300 --> 00:31:17,780 I'm not surprised, I'm not surprised... 222 00:31:17,780 --> 00:31:42,380 I'm not surprised, I'm not surprised... 223 00:31:42,380 --> 00:32:04,580 I'm not surprised, I'm not surprised... 224 00:32:04,580 --> 00:32:17,780 I'm not surprised, I'm not surprised... 225 00:32:17,780 --> 00:32:39,980 I'm not surprised, I'm not surprised... 226 00:32:39,980 --> 00:33:02,180 I'm not surprised, I'm not surprised... 227 00:33:02,180 --> 00:33:16,380 I'm not surprised, I'm not surprised... 228 00:33:16,380 --> 00:33:35,580 I'm not surprised, I'm not surprised... 229 00:33:35,580 --> 00:33:57,780 I'm not surprised, I'm not surprised... 230 00:33:57,780 --> 00:34:16,980 I'm not surprised, I'm not surprised... 231 00:34:16,980 --> 00:34:39,180 I'm not surprised, I'm not surprised... 232 00:34:39,180 --> 00:34:57,380 I'm not surprised, I'm not surprised... 233 00:34:57,380 --> 00:35:19,580 I'm not surprised, I'm not surprised... 234 00:35:19,580 --> 00:35:41,780 I'm not surprised, I'm not surprised... 235 00:35:41,780 --> 00:36:03,980 I'm not surprised, I'm not surprised... 236 00:36:03,980 --> 00:36:26,180 I'm not surprised, I'm not surprised, I'm not surprised... 237 00:36:26,180 --> 00:36:44,380 I'm not surprised, I'm not surprised... 238 00:36:44,380 --> 00:37:06,580 I'm not surprised, I'm not surprised... 239 00:37:06,580 --> 00:37:28,780 I'm not surprised, I'm not surprised... 240 00:37:28,780 --> 00:37:50,980 I'm not surprised, I'm not surprised... 241 00:37:50,980 --> 00:38:13,180 I'm not surprised, I'm not surprised... 242 00:38:13,180 --> 00:38:35,380 I'm not surprised, I'm not surprised... 243 00:38:35,380 --> 00:38:57,580 I'm not surprised, I'm not surprised... 244 00:38:57,580 --> 00:39:19,780 I'm not surprised, I'm not surprised... 245 00:39:19,780 --> 00:39:41,980 I'm not surprised, I'm not surprised... 246 00:39:41,980 --> 00:40:04,180 I'm not surprised, I'm not surprised... 247 00:40:04,180 --> 00:40:26,380 I'm not surprised, I'm not surprised... 248 00:40:26,380 --> 00:40:48,580 I'm not surprised, I'm not surprised... 249 00:40:48,580 --> 00:41:10,780 I'm not surprised, I'm not surprised... 250 00:41:10,780 --> 00:41:32,980 I'm not surprised, I'm not surprised... 251 00:41:32,980 --> 00:41:55,180 I'm not surprised, I'm not surprised... 252 00:41:55,180 --> 00:42:17,380 I'm not surprised, I'm not surprised... 253 00:42:17,380 --> 00:42:39,580 I'm not surprised, I'm not surprised... 254 00:42:39,580 --> 00:43:01,780 I'm not surprised, I'm not surprised... 255 00:43:01,780 --> 00:43:23,980 I'm not surprised, I'm not surprised... 256 00:43:23,980 --> 00:43:46,180 I'm not surprised, I'm not surprised... 257 00:43:46,180 --> 00:44:08,380 I'm not surprised, I'm not surprised... 258 00:44:08,380 --> 00:44:30,580 I'm not surprised, I'm not surprised... 259 00:44:30,580 --> 00:44:52,780 I'm not surprised, I'm not surprised... 260 00:44:52,780 --> 00:45:14,980 I'm not surprised, I'm not surprised... 261 00:45:14,980 --> 00:45:37,180 I'm not surprised, I'm not surprised, I'm not surprised... 262 00:45:37,180 --> 00:45:59,380 I'm not surprised, I'm not surprised, I'm not surprised... 263 00:45:59,380 --> 00:46:21,580 I'm not surprised, I'm not surprised, I'm not surprised... 264 00:46:21,580 --> 00:46:43,780 I'm not surprised, I'm not surprised, I'm not surprised, I'm not surprised... 265 00:46:43,780 --> 00:47:05,980 I'm not surprised, I'm not surprised... 266 00:47:05,980 --> 00:47:28,180 I'm not surprised, I'm not surprised... 267 00:47:28,180 --> 00:47:50,380 I'm not surprised, I'm not surprised... 268 00:47:50,380 --> 00:48:12,580 I'm not surprised, I'm not surprised... 269 00:48:12,580 --> 00:48:34,780 I'm not surprised, I'm not surprised... 270 00:48:34,780 --> 00:48:56,980 I'm not surprised, I'm not surprised... 271 00:48:56,980 --> 00:49:19,180 I'm not surprised, I'm not surprised... 272 00:49:19,180 --> 00:49:41,380 I'm not surprised, I'm not surprised... 273 00:49:41,380 --> 00:50:03,580 I'm not surprised, I'm not surprised... 274 00:50:03,580 --> 00:50:25,780 I'm not surprised, I'm not surprised... 275 00:50:25,780 --> 00:50:47,980 I'm not surprised, I'm not surprised... 276 00:50:47,980 --> 00:51:10,180 I'm not surprised, I'm not surprised... 277 00:51:10,180 --> 00:51:32,380 I'm not surprised, I'm not surprised... 278 00:51:32,380 --> 00:51:54,580 I'm okay with who I am, I'd rather be hated for what I am, let me adore it, for what I'm not... 279 00:51:54,580 --> 00:52:13,780 I might not ever be wealthy, but my life is rich, and I am not a repairman, but there are many things I can fix, 280 00:52:13,780 --> 00:52:35,980 I wish my house was bigger, but then there'd be more to clean, I don't drive an expensive car, but it gets me from A to B, 281 00:52:35,980 --> 00:52:58,180 I'm not surprised, I'm not surprised, I'm not surprised, I'm not surprised, I'm not surprised... 282 00:52:58,180 --> 00:53:20,380 I'm not surprised, I'm not surprised, I'm not surprised... 283 00:53:20,380 --> 00:53:42,580 I'm okay with who I am, I'd rather be hated for what I am, let me adore it, for what I'm not... 284 00:53:42,580 --> 00:54:01,380 I might not ever be famous, but I can write you a song... 285 00:54:01,380 --> 00:54:11,780 That is Cole Hanson with her song, I'm okay, and Cole is also part of a great project that she and Nate Johnneve 286 00:54:11,780 --> 00:54:26,980 put together called Drawing Monsters. Cole just dropped two records into the space, so thrilled to have her here, and I know she's gonna be getting a lot of spins from a lot of the different VJs out there, 287 00:54:26,980 --> 00:54:38,980 great stuff, Cole, love your writing, you've got a great midwestern sensibility to your lyrics, it's kind of like a cross between Sean Colvin and a little bit of Bodine's, 288 00:54:38,980 --> 00:54:50,180 like if that's not too weird, but love the voice, love the acoustic drums sound brilliant on that record, great project, great project. 289 00:54:50,180 --> 00:54:59,180 Alright folks, we are coming to the end of another Phantom Power music hour, and as I love to do, I'm gonna wrap it up with some jazz, it's my favorite genre, 290 00:54:59,180 --> 00:55:11,380 and I tell you what man, the more I listen to Alan C. Paul, the more I'm just blown away by his playing, so Alan's gonna take us home with a great song called Serenity, 291 00:55:11,380 --> 00:55:26,380 and thank you all for the boosts in the zaps and for the notes, and yeah, about it, alright Paul, Alan C, take us home, this is Serenity on the Phantom Power music hour, episode 20. 292 00:55:26,380 --> 00:55:46,380 [Music] 293 00:55:46,380 --> 00:56:06,380 [Music] 294 00:56:06,380 --> 00:56:26,380 [Music] 295 00:56:26,380 --> 00:56:54,380 [Music] 296 00:56:54,380 --> 00:57:22,380 [Music] 297 00:57:22,380 --> 00:57:50,380 [Music] 298 00:57:50,380 --> 00:58:18,380 [Music] 299 00:58:18,380 --> 00:58:46,380 [Music] 300 00:58:46,380 --> 00:59:14,380 [Music] 301 00:59:14,380 --> 00:59:42,380 [Music] 302 00:59:42,380 --> 01:00:10,380 [Music] 303 01:00:10,380 --> 01:00:38,380 [Music] 304 01:00:38,380 --> 01:00:48,380 [Music] 305 01:00:48,380 --> 01:00:50,960 (gentle music) 306 01:00:50,960 --> 01:00:53,540 (gentle music)