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[Music]

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Hey everybody, welcome back to the Phantom Power Business Hour. Today is Monday the 19th.

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We're a little late getting this one out. I would have loved to have had it out in the morning,

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but I was flying back from Phoenix and back in Nashville. It's Monday afternoon. I'll have

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this one up this afternoon. I was out at Culture Shock in Phoenix over the weekend down at Sam

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Means Place and I just cannot say enough wonderful things about the experience that I had this weekend.

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I want to thank Quiet Warrior, Santos, Eric, Heather Larson, Heidi,

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Arcanox, Santos, just everybody that I met down there. It was such an amazing event talking

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about Noster, talking about Bitcoin, talking about music, getting a chance to see Sarah Jade perform,

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meeting her, meeting her husband. It was a small crew, but man, it was mighty and it is such a

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great indication of where this entire movement is going. I learned a lot, made some new friends,

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stuffed my face with some amazing Mexican food, especially from Heidi. Thank you very much,

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as well as in an out burger. Rather content being back here in Nashville now,

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and ready to get back to work. What you're about to hear is a conversation that I had yesterday

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morning, Sunday morning with Sam Means from Wave Lake and Open Mike from First Avenue. As you

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guys know, they are obviously at the forefront. They are way the hell in front of me with respect to

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what's going on with music and value for value. Sam has just such a great history in the industry,

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but more importantly, he's got a hell of a big heart and his head and his heart are absolutely in

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the right place with respect to where Wave Lake is going. Open Mike, I can't say enough about Open Mike,

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either. Everything that he did and set up those shows in Minneapolis in December to his work with

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Tunster, to his work with Noster and just being a Bitcoin evangelist and just being underneath the

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radar. As far as independent musicians go, "My God, you can't have a better friend than this dude."

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The guy works for independent venues. You're going to hear this conversation between the three of us

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and you're going to hear planes flying overhead on approach into the Phoenix Airport.

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We rushed in and rushed out, but I want to thank Sam for hosting us and letting us come in

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and bum rush his office and make a quick recording before we all had to head out.

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So this is a fun conversation with me, Mike, and Sam, and I really hope you guys enjoy it.

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I love these guys, dearly. I love where this movement is going and I'm so thankful for it.

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So here is myself, Sam from Wave Lake and Open Mike talking about not only the event this

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past weekend, but value for value and the music industry. Here we go.

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All right. Welcome to Phantom Power Business Hour. It is Sunday the 18th.

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of February and we are in Phoenix and I am really lucky to be joined by Sam Means

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from Wave Lake and Open Mike from First Avenue. We had a great day yesterday here at Noster.

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Noster, what did they call it? What'd you get? Culture shot. Culture shot. Yeah, I'm getting old.

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I forget things that were I was staring at. It was a little bit of an obscure title, but that was the

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point. It was a really marvelous event. It was so fun. It went off without a hitch. Everyone did great.

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Yeah. Sarah Jade was there. She played some music and it was incredible. Yeah, nice little set.

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You and I, Sam had a nice conversation and I was fortunate enough to interview Sarah for a

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couple of minutes. Mike, I loved hearing what you were talking about yesterday with Sam with

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respect to the industry and you know, I, we've got a little bit of time. I know because Mike, you

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got to get on a flight here and this podcast is going to go up tomorrow Monday, but I wanted to

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jump in just real quick and kind of continue the conversation that you guys were having with respect to

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the state of the entertainment industry today with respect to labels and ticket agencies and

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things of that nature. How far off? How many years behind? Do you guys think companies like

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LiveNation and UMG and whatnot? How many years away from adaptation of Bitcoin and

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Noster and RSS? How many years? How many years away are they? Do you think?

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I'm, well, I'm not sure if these types of companies will ever get there.

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Agreed. I just look at the past. I mean, we were talking about a little bit like, you know, I'm old

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enough now to have seen some cycles and how the tech industries have worked and boom, subworked and

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tech giants have been tech giants and then it's sold for nothing like AOL or, you know, just, I mean,

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all these different things, you think of how powerful AOL was for such a long period of time.

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And if we were having this conversation, be like, when is AOL going to have going to introduce

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Bitcoin and Noster and then, you know, fast forward and AOL pretty much just exists in my

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dad's email address or something at this point now and I'll think there's much to it. So,

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I think what, well, probably what will happen is just companies will start up utilizing this

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technology. They'll grow, they'll surpass and they'll probably do what typically happens and

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kind of gobble up the old stuff or if the old or some of these companies are smart maybe they'll

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and I think some will probably buy these companies to kill them, some will buy them to merge with

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them to take some of their technology. But I don't think anyone will just simply adopt it in this

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current world because it, by design, it takes away a lot of their ability to manipulate the situation.

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I agree. I don't have a visibility into the workings of organizations like that or just were a

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venue and a promoter but I just don't see any world where the incentives line up. Like why?

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Why would you want to take on something that improves transparency, visibility,

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when you have the benefit of your own ecosystem that everybody has to play in?

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Yeah, I hadn't thought of it. I hadn't thought of it like that.

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You think about ticketing, right? There's a whole bunch of things that are interesting as a promoter.

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We announce shows, we put them on sale, we actually sell the tickets and we collect the money.

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As a band, Sam, you know this, one of the holy grails of going on tour is getting to connect with

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your fans and you don't get any of the ticket contact information for your people who buy tickets to go

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to your show and all these cities. You don't get the email lists, you don't get the names, you don't get

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the addresses. Sometimes you can ask nicely. Yeah, but typically no, but they're pretty protected.

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And that's just an example of something that why would they change that?

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Like what's the incentive? And the same thing for you put all the tickets on sale, Sam wants to play a show.

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He agrees with the venue that it's going to be a $20 ticket.

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Doesn't matter if that ticket gets scalped three times up to $80.

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But if you had some of this technology, like if you could picture a ticketing system on Bitcoin

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where it's a public blockchain, you would actually be able to watch that ticket go from

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ticket master to customer and then you would know if that customer was a reseller. Yeah, exactly.

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And I got pretty fascinated with this. And unfortunately it was all

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altcoin chains that we're talking about it a few years ago in the last ball market. But

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there were plenty of people talking about ways to make royalty overrides, you know, and you know,

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transfer when you transfer that ticket to another buyer, it would go back to the creator.

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But it, you know, ultimately I just haven't seen a good solution and I just I can't see a world where

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some of these centralized big players would ever want that. Like why would they?

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Why would they want to show how many times the ticket was transferred? They'd benefit from that

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merciness. Yeah, the point you made yesterday that I wasn't aware of, which is public knowledge,

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because you can find it on the internet, but how these major ticketing companies

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own the secondary market as well. And that they are their own scalpers.

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They can be. They can be. Yeah, they can be stopping them other than the law, which is

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and typically correct. Correct. When you have enough money to pay the fines,

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and the fines are less than the money you're making on the scalping than he cares.

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You just work it in with the business model. Yeah, it's just one of your line items of loss.

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Same as the banks, right? We know that from Bitcoin. Well, and it's just, and it's stunning because I

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don't think people really know, you know, the younger artists, they have no clue how just deep the

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for lack of a better word corruption is. Yeah. And the layers of protection. I mean, I think so many

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young artists, they get into this because they love the art, they love the expression, they love

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the feeling of playing in a band for the first time, but they don't, they don't realize that, you know,

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if you don't, you know, I think hustle and business sense in many respects are more important than

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your ability to craft a song. And I hate to say that, but, you know, you see the bands with great hustle

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and great work ethic rise to the top where the brilliant ones, you know, we all have friends who

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were freaking brilliant and you're like, why in the hell are you not out on tour? And, you know, they

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don't have, they don't have, drive, they don't have, you know, I've seen that so many times in my life.

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Yeah. Yeah. The, the need to hustle has always been there, but it's just the amount, the,

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the amount of obligations that you have and the things that you have to keep track of, the stress

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of just maintaining all these channels is, is what's changed a lot. There's just, there's too many

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options, you know, yeah, it's hard to, it's hard to know where to start. It's like looking at a pile of,

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you know, things you have to, I always use this analogy of like when you're, when you're moving,

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you move all the big stuff first in the furniture and it's all out, but, and that takes

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not that long, but then you just get like the knick knacks and stuff and that takes forever and

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you hate it and you're just looking at it and you're like, oh my god, I get all this. Yeah, but,

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you know, the reality of it is you just have to, you just have to do something, you start somewhere

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and that's what I always tell people with like trying to navigate in this world right now because

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it is so difficult. It's like just do something as long as you're making music that you're passionate

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about, you will achieve some level of success. It may not be commercial success, but if you're able

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to do it, you'll be fulfilled by, you know, if you're able to stick with your ethics and stick with

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the way that you want to do it, then, in the, at the absolute least, you'll be happy with that you

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were able to make music and you didn't have to sacrifice some part of you for this, this,

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this hustle system that we all have to be a part of. I mean, I want, on that last note too, I want to say,

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I think, or what I hope is more likely is that artists, this, this, this type of artists will

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enable artists to be able to do these things on their own or with less friction than they have now,

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you know, just like they can record in their basement or they can distribute globally the push

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of a button in, you know, 19 bucks on tune course, something or now on wave lake or value for value

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system, you can just get this stuff distributed everywhere so much easier than you could, you know,

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10 or 20 years ago, yeah, and I think things like that, that type of stuff, I think, will continue to evolve

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and that will evolve into ticketing and, and it'll be, it'll be great for venues, it'll be great for

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promoters, it'll be great for these things too because it'll establish more, I think it'll just

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change the rules a little bit, it's going to take some getting used to, but I think it will establish

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a better connection between those two parties and I mean, I even know the hustle of being a

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promoter, I was one myself for years here in Phoenix and it's a tough, I mean like you said last

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yesterday, we're a busy bar and that's, that could not be more true. That is, that is the thing,

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everyone thinks promoters are, and some are, you know, some like, live nation, some promoters are

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making money hand over fist, but the independent promoter, it's a struggle, you have a good sold out

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show here and then, you know, your thrill kill cult show in New Mexico tanks and he was $15,000 or

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something and that balance is crazy and it's hard to keep up with and so it's just as much of a

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hustle for these guys that it is for the artists in a lot of sense, so yeah, I just hope to see things

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that will make those connections stronger and less, I don't know, less mysterious, you know, because

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it's hard to know when you, when you put in an offer, you're sort of taking a gamble,

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the concert promotion is at its core gambling and you're just putting faith in this artist, this artist

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is going to do what, you need them to do to, to fill the, to fill the room and sometimes it works and

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sometimes it doesn't and a lot of times the venues and the promoters don't get the recognition on the

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loss, you know, they just kind of take the shit for the wins sometimes in the, in that world, so I

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don't know, I hope that's that, I hope that bond just gets stronger because live music isn't going

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anywhere and it needs, it needs a little bit of a, a, a, overhaul as well. Yeah. I think it's important to

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for these young artists that are getting into this and, and we always, you know, we, I, I, we

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strategize about how to get more people into this space. It's so important, so many, so many artists

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are just fixated on the goal of, I just want to, you know, I want to play the major arenas, I want to

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play stadiums, I want to, and they don't pay attention to the journey. Yeah. And they don't pay

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attention to the signs along the journey, you know, because if, if, if they're not paying attention to

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the journey, they're going to miss out on opportunities like value for value, Bitcoin, wave, like,

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yeah, like, you know, live streaming, or RSS and non-star, things like that. Well, that's the thing. I

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mean, when I was, when I was coming up, like you, there were two paths you could take if you were,

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you know, on, had any kind of momentum, like you could sign to a label, an indie label or a major

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label or something. And there was a big thing with selling out, that was the thing in like the

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punk scene, like, oh, that band sold out, they sold, they signed a deal with MCA or something, and now

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everyone's talking trash. Now they're on the radio and they suck down. But it was true, like, most of

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those bands that did take that shortcut ended up kind of falling, falling off a bit, like maybe some

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are coming back now through this nostalgia stuff, like we were talking about festivals. Yeah.

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Or coming back and everyone's just like attention spans for festivals or getting ridiculous. There's

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like 700 band bills. But most of those bands would kind of drop off at the bands that would just

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get on the road and stay on the road and build that core all around the country and then maybe got

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lucky enough to travel over the UK or something or further. Those are the ones that really had the

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staying power, like bands like Jimmy E. World, Phoenix here. They're just like the perfect example

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of the road dog like touring guys who have been able to sustain a career off of touring. And they

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just caught that at the right time. Whereas now you can't do that. It's almost impossible to get on

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the road and do that because you're not making enough money anywhere else. You can't sell enough CDs

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on the road to get gas from one town to the next. So I think that will even be fixed and it won't be

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some technology necessarily fixing that. It's just if artists are able to make money again through

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their music to support that idea, then they'll be able to get back on that on the road. And if the

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exchanges that are happening on the road are better, maybe there's live streaming in maybe there's

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sat flow happening there too. And now they have this whole other monetization stream that's coming

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in. That's allowing them to build and develop like they truly need to and can have that real

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because there's nothing like an online fan connection is great but there's nothing like that person

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a person connection. When you're on stage and you're watching your favorite band or you know what I mean

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or for both side it is it is an incredible feeling if you're in the crowd it's an incredible feeling

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if you're on the stage and I don't think anything can replicate that. Yeah I think it's going to be

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interesting to see like we've seen some really great success with live stream sat's coming in for

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shows like yesterday Sarah pulled in 1.2, 1.3. I mean that's a nice little take you know for an hour set

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and good for them for doing it you know. Yeah we got to update this number see there's a little

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extra that came in after the fact. Oh really? Yeah. But it's going to be interesting because I completely

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agree with you saying there's nothing like a live show. Yeah. And I think people might

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kind of step away from doing from you know V for V like tipping on every live show.

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So somehow the interaction like if there's some customized content from these artists coming

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over into you know V and Oster something like that like that might be another revenue stream something

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that's different than than just hey here's them playing a gig. Yeah you know it's going to be I don't

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know if you have any thoughts on that Mike I think but I think something could pop up. I just

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think you know kind of like what you and I were talking privately when the pandemic hit in the live

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streams went bachit crazy and then then kind of died off. Yeah I think we had so much momentum with

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you know the empathy like everybody everybody wants their local coffee shop and went out of their

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way to spend more money on things that they really appreciated during the pandemic and that was my

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interpretation of the live stream phenomenon. Yeah. Sam nailed it like there's nothing that's

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going to replace the in-person experience and the energy of the room and the curation of a live

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concert but you know if you if you can't catch your favorite band and you want to go out of your

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way to support them you know even a live stream if you put it out there for free value for value

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you know generating 20 bucks 50 bucks 100 bucks like it does add up like the yeah I always tell people

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if you really love this band and you want to support them hit up the merch table like that that

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often is like the thing that tips the scale for making it worthwhile to go on tour and play these

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100 200 persons show tours because you're not making it at the door if you have a band of any

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you know multiple people if you have four people in the band and the tour manager like just

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do the math on a hotel and meals and yeah dude I when I my band it was two of us and then we were

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paying everyone else on salary so it's like a six piece band that needed needed to get paid weekly

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yeah sound guy as you know you're you're going in a van as long as you can but then

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a van's only so big yeah yeah that weekly nut gets a little crazy after a while

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merch is it merch is a huge a huge part of it. Mm-hmm. What do you guys think

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you know aside from telling bands about this opportunity with V for V in Wavelaick and whatnot

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and you know and telling and then telling people who hold Bitcoin to get a you know to open up

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fountain to open up Wavelaick and transfer some stats over and start you know V for V in

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into these bands what else can we do to bring more people into this space. Aside from

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just telling indie bands and telling Bitcoin holders about V for V like what else can we do.

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I mean my take on it is just it's really no different than any business I've ever been a part of

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or any or even the bands or what we were just talking about like you have to develop a strong

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foundation whether you're an artist on the road looking to have a sustainable career or you have a

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business in music or you have a business anywhere you know you have to it's I don't think it's any

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different taking shortcuts I don't think is an option here and I think everything is primed

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right now the writing is on the wall we know that we've said this a thousand times in the last few

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days you know everything is is bleak not only in the music industry but just in the world the world's

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crazy and in everyone sort of expecting where everyone I feel like is anticipating something is

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going to have to shift because it's just everything starting to boil over. Yeah for this stuff specifically

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just because that's what we're talking about I think it's just as important you know just to continue

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to try to get people to build stuff that's that's my main focus it's why we're doing things the way

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we're doing them at way of like because it's all open you know so we're trying to create a place

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where people can can come but even more so like a lot of people Michael says it's all the time

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people think of us as like a a business for the consumer like a retail business but we're not we're

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really a business for the business we want other people to be building stuff on top of this we want

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people to be building charts building various apps building even replicating the onboarding tools

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that we have all this stuff is open source and anybody can do it and I think that's the most

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important thing and some people get hung up on it because there's this technology is so new and

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it's happening so fast you don't want to do it too fast you want to make sure that you're carefully

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crafting this or else we're gonna miss our opportunity for this this perfect moment in time where

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everything all the stars are lining and everything is pointing towards you have to change something

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and we have to do it right or else some you know that a theorem conference you went to some

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shit point thing is gonna come in and just it's I mean it's it's inevitable but the timing is I

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think the timing is right so like we're going into a good cycle and if we can do things right

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if we can act accordingly and get things organized in a way and get this community strong enough

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and supporting each other all across all around all across the board yeah I think we'll have a

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really good chance at breaking through that shit coin wall that we saw in 2017 when I were two in

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on the last cycle 2020 and 21 where all the bands that I work with were talking to me about NFTs and I

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was just realizing I was just having these you know epiphany of like oh man you're talking about this

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you think this is gonna happen this is actually the answer right here it's just I can't tell you

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about it yet because there's nothing there yet it's just an idea and here we are you know three years

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later in moving into this next cycle and the stuff is actually here now so we do have that opportunity

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it might take another cycle it might take another few years and I think the timing will if if we don't

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take a shortcut I think the timing will prove itself right and this this will just happen organically

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because I think that's the only way it's it's going to happen and be successful if it's purely

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an organic path yeah I have a lot of respect listening to you and Michael it's been great to

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see you get meet Michael for the first time and see you again since first since July since we saw

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each other but the methodology and the patience that you guys are going about in building wave lake

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and recognizing that we really you guys don't really only have one chance to get this right yeah

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and and just hanging out with you and being in your studio and everything I get it I absolutely

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get it but thanks yeah yeah we're trying man it's it's and the reason we have to be so patient is

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because it's not like there's I just don't know if there's anybody who is trying to do this right now

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in an organized way for mainstream adoption yeah and I'm afraid that if we if it's not us because

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I mean I'm incredibly biased to say this but we we're trustworthy people you know like we're actually

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we are actually doing this for the right reasons whatever I mean that some people may not

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think that and that's totally fine but I absolutely do believe you guys are doing this for the right

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we truly are we're we are genuine people and I can say that you know I I have no no trouble saying

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that I have a lot of trouble giving myself compliments for anything else but if there's one thing

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I can say about myself is I am I am genuine and I I do want to see this happen and I am afraid that

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if if we don't if we can't organize enough people who truly believe that this can happen as well

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then someone who isn't genuine is likely to come in and just delay this like I was just saying

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and that's that's that's my fear that's my only fear you know but is because that can also be

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patients can also be a downfall you know if we we might be too patient we might miss an opportunity

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and that might that might cause us to have to go into the next thing but what we're not going to do

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is stop you know so ultimately that I think it's gonna succeed but well that's the same thing in

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many respects though I was saying earlier about paying attention to the journey you know don't you

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know we can't we cannot afford to just be focused on the goal right yeah you know yeah we're gonna miss

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an opportunity to you know like my you know like when you reached out and offered to do that you know

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put together that show for angely and just laugh like well that piggybacking on what Sam was saying about

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the long game and participating and doing things deliberately mindfully intentionally I couldn't

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agree more like I got I got approached so many times I mean actually how it all happened is I

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have been very private about my you know Bitcoin and you know all of this I just don't I don't

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cross pollinate much professionally previously like in previous cycles and what actually happened

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is during the pandemic we got approached by an s-coiner and they were going to go out

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it was what perfectly well intended but it was it was a fundraiser NFT so they were issuing

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NFTs to all of the Niva members Niva being the National Independent Venue Association

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and we ended up selling the first avenue NFT for 20 grand just as you know total philanthropy right

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and it wasn't it wasn't like a speculative NFT it was it was known that it was a fundraiser

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but actually a two-villoo the artist from Sweden bought it really yeah pretty cool she's played a bunch of

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our most of our rooms actually but yeah this this company reached out and that's that's when I outed

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myself like you know they approached they approached our owner and I was like hold on time out like

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I need to tell you that I know what's going on here like let me do some diligence on this yeah and

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but we had point being as we had we'd been approached by a lot of people who wanted to you know monetize

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and that's just such a that you know that cycle and the NFTs it's just so transactional it's just

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gross it's not it's not like a a long value add to the industry to just sell digital widgets and flip

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you know speculative yeah digital assets but um you know the the long game you know when I

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when I launched Toonser you know Sam nailed it it's like this is all open source like I don't know

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what the hell I'm doing like I just who does I just took you know I I took a flyer on I mean I know

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what we have in real life we have amazing venues and great relationships and a lot of bands we have a

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lot of touch points with 1200 shows which means 2500 bands yeah that I get to interact with a year yeah

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and you know I just I just knew that if we could somehow communicate what's going on at the

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ground level to some of these people maybe somebody like Ainsley or Just Loud or Sarah Jade would take

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you know take notice of it yeah well that shows that shows your patience and I had very similar experiences

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with because I as you guys know we're sitting in this merch warehouse right now and I had I can't

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even tell you how many managers approached me knowing that I was into something in this you know

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they've caught on to something like I've been also a little vague but enough that people have

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seen some things out there and that's what's cool about it because we're sort of I mean this is

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little over dramatic but we're kind of like this little silent army waiting to help you know we're

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just here like a rescue crew actually maybe a better way to put it and so when these things come up

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you can actually you're just sort of there to protect them from making a mistake that's how

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that's how I felt about it I was like I'm not going to help you with this you know and in like two or

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three years you're going to see why and that's you're actually going to I know you're probably going

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to be pissed and you're probably going to go do it anyway with someone else's help but when you get

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screwed over or the bankets screwed over or the fans get screwed over you're going to remember this

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conversation and you're going to come back to me and I'm going to actually give you the answer

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because by the time you figure that out there will be something much better for you to do there's

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just it's not there right now it's not worth it for me to explain it to you right now but that's

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what we need to be doing we need to just be you know just preparing for when these when these artists

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need help and we're all going to be I mean I think all three of us you know Jimmy and I have talked

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about it a lot it's like you're very actively and very successfully finding your place in the space

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and incredibly short period of time trying to who the hell knows where these podcasts will take me

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right but that but I I always tell you they will take you somewhere and I'm a firm believer of

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that that's how my entire life has worked I just like if you just just do the thing that you are

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passionate about you will find your place eventually and and with this in particular I think we're

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all going to be very helpful to a lot of people yeah because we're taking the time we have the patients

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to learn what we need to learn we're making mistakes that will need to be made so that we can

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help people avoid them cut corners get there faster and get there and it because it is so delicate when

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you're dealing with when you're dealing with a band you're not just dealing with the band you're

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dealing with their entire audience you're dealing with an entire career you're in dear you're

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dealing with their emotion like they're their soul who they are you know because music is such a

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powerful thing it's like you have to think of it like I cannot this person is like pouring their heart

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out as a musician am I gonna try to get them to sell an NFT you know like and rip off all their

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fans it's gonna be crazy and that could be something that could be so disruptive in the path of an

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artist career would never want to participate that so if we could in that so if we could

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do exactly the opposite and use this technology to help them engage better and

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I hate talking about money but it is such an important part of an artist career because they have

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none you know starving artists need money just the way it is so if we can help with all that stuff

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in hopefully the near future I think I don't know I'm excited about it it's one thing I'm so

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it's why I'm here it's why even after I have this you know I've had this business that

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the worst this room we're sitting in for 16 years I'm ready to just kind of like figure out how

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to make music again and just have fun but then I find out about this stuff and I have to just jump

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right back in and use all of my experience in that world to try to help Michael and get this thing

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where it needs to be and it's only the only reason I'm doing it is because I feel I'm equipped to

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help in some capacity and I think the same goes for you guys I think that's why we're sitting today

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yeah coming back to your original question of you know what what can people do and what is the

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you know what is the path and talking about being very slow and in a long game and I think

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one of the you know one of the observations that I had you know toonster nobody knew about it

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until December it was just in my head it's been in my head for years I just don't know how to code

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and I'm not a dev but yesterday at culture shock it was kind of funny for me to to be treated like a

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builder you know like yeah and like some people from the Nostra community came up to me he's like I

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just want to help you know help the toonster team as much as I can and I was kind of giggling to

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myself as like the toonster team is here there's no team and and so I just want to you know I want to

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incur a you know what sam said is right like the it's all open source yeah and for a really long time

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I sat on the sidelines and and watched things happen and thought like man we are the leader in independent

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music and this is independent money and independent everything it just lines up so perfect but I

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just don't know what to do I'm not I don't have I don't have money to hire a developer and do all this stuff and

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you with an open source community people want to help yeah and I there's really no magic to what I did

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I just showed up and started asking a bunch of questions and told my story and said what I could contribute

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and then Kieran you know helped me fork zap.stream carnage and built my website is that work carnage is

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yeah I've doxed it's so funny like I'm still put like I seriously had to put together a list at home

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of like all right who's this guy and who is yeah and my like like characters in this shell yeah my my

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fake the like the fake name that I use as an example is like all right who is Sir underpants of Florida

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yeah you know because there's a you know Sir Libre and Sir Spencer and all these folks and I've

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like I literally had to had to start out a word document so I can remember who they are sorry

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keep going yeah but everybody just you know I feel like I was just a coordinator I didn't actually

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do the work yeah you don't have to you don't have to do the work to be a builder at all you I mean it's

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I mean yeah you did Jim did he say you used to be a general contractor yeah yeah you probably weren't

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maybe you weren't hammering the the roof on maybe you were sometimes but right no no you know there's a lot

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of there's a lot of people that help in a project and you need you need all these assets in building a

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project it's not just like doing the the coding it's it's the vision it's the having the patience

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it's having the idea it's simply just being available is it's what I've learned I've been interested

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in this for 10 years now and I was always just like I'm here but I don't I don't know I don't know

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what to do you know and then eventually then someday something clicks and you figure out oh here's my

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like my door just opens and now I can walk through it now I have more clarity but it just goes back

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to that I guess the theme of the show is patience because it just goes back to that you have to have

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patience yeah like brute force your way into this Bitcoin space you have to wait until your number

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comes up and you're like okay cool I'm good now yeah there's no shortcut for anyone and that's

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why we're building value it's NFTs and all that garbage seem like a shortcut you just get rich quick

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you know there's you can't fake it you got to just take the long game and

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and build I have studied NFTs a bit and I had a and I had a great artist on the business hour like three

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or four weeks ago via let us errone she's from Italy she lived in Nashville she is full-time

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musician full-time NFT like she is making it work yeah she's got a good good support base around

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her and and I love her voice I love her writing she's kind of like um

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Diana Crawl and Katie Malua out of the UK and it's a it's a it's a fascinating thing and she's

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starting to move over towards Bitcoin and Ordinals and I'm very curious as to see where she's going to go

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yeah you know I mean she's she's had like a million dollars a million dollar sales in the

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secondary market with her in a tease and I'm just stunned you know and not not on a bad way I'm just

376
00:39:30,800 --> 00:39:36,640
I'm thrilled for her but I still don't as much as I understand NFTs I also don't understand NFTs

377
00:39:36,640 --> 00:39:46,400
you know but I do but I do think at my core only being eight months into this Bitcoin in value for value

378
00:39:46,400 --> 00:39:54,160
and just that direct exchange is so much more pure and so much simpler yeah

379
00:39:55,120 --> 00:40:02,240
I think I think yeah I have a somewhat complicated take on ordinals and all that stuff I mean

380
00:40:02,240 --> 00:40:09,680
but at at the very the most simple way you can't tell anybody what to do with with Bitcoin that's

381
00:40:09,680 --> 00:40:18,160
the whole point you may not agree with ordinals but if they're available to do through the the

382
00:40:18,160 --> 00:40:27,200
consensus of the network has enabled that to happen that's just a that's a repercussion of of the way

383
00:40:27,200 --> 00:40:32,000
this works which is how this works and the beautiful thing about it is if enough people don't like

384
00:40:32,000 --> 00:40:39,200
that or if it's causing congestion it was one of the early fears of it then just change it you know

385
00:40:39,200 --> 00:40:43,680
you just you get you get a majority vote and you just change it and you change you change the

386
00:40:43,680 --> 00:40:48,880
rules or people fork off and do other things and they they have an ordinals chain or something and then

387
00:40:48,880 --> 00:40:55,680
Bitcoin just continues to be Bitcoin but at the end of the day I mean this is you know Bitcoin for

388
00:40:55,680 --> 00:41:05,280
everyone Bitcoin scaling globally it's going to need to be able to serve every single person in every

389
00:41:05,280 --> 00:41:13,360
single way just like any other transactional currency works you have to have money for good things

390
00:41:13,360 --> 00:41:17,840
and you have to have money for bad things you have to have money for virtuous things and you have to

391
00:41:17,840 --> 00:41:24,000
have money for scams you just do you know it's just the way it's just the way the world's going to work

392
00:41:24,000 --> 00:41:31,360
luckily this will prevent a lot of that stuff from happening in a in a way that it happens now because

393
00:41:31,360 --> 00:41:36,320
a lot of it is out in the open and so it will but people will still find ways to manipulate Bitcoin they

394
00:41:36,320 --> 00:41:41,520
and and even if there was like a blockchain ticketing thing someone to figure out you know

395
00:41:41,520 --> 00:41:44,960
yeah some will figure it out and they'll figure out a way to manipulate it and then

396
00:41:44,960 --> 00:41:50,160
someone will figure out how to fix it and then some will figure out how to manipulate that

397
00:41:50,160 --> 00:41:56,240
but at the end of the day I mean with that with that stuff I would especially for an artist even

398
00:41:56,240 --> 00:42:01,040
though I don't agree with it and I would always try to tell people to move away from that stuff and

399
00:42:01,040 --> 00:42:08,960
focus on their art if that is her art then who am I to say what to do or not do with it you know

400
00:42:08,960 --> 00:42:16,080
and that's how I feel about it and and all these and I'm happy I'm of the opinion that it's much better

401
00:42:16,080 --> 00:42:21,600
I'd much rather have that stuff on Bitcoin actually than anywhere else because at least Bitcoin is the

402
00:42:21,600 --> 00:42:30,880
is the is the much better product for people it's decentralized and so they're not going to be able to

403
00:42:30,880 --> 00:42:36,160
be scammed as easily they're not going to be able to just spin these tokens up in the way that they

404
00:42:36,160 --> 00:42:44,000
could in these in these centralized you know tokens and coins and things and bring in celebrities to do

405
00:42:44,000 --> 00:42:52,400
I mean they'll have ways to do that still I would imagine but just not not as I don't know not as

406
00:42:52,400 --> 00:42:58,080
horribly yeah I'm not I'm not anti NFT I just don't care right like it's right that's fine you don't

407
00:42:58,080 --> 00:43:03,760
have to care and I don't either like yeah we don't care but someone if someone does and that's their

408
00:43:03,760 --> 00:43:07,840
art and that's the way they want to that's the way they want to distribute it then yeah I

409
00:43:07,840 --> 00:43:13,520
yeah I shouldn't say I don't care I just I think that you know I was I was a huge baseball card

410
00:43:13,520 --> 00:43:19,680
collector when I was a kid yeah and that so I actually you know like during the last bull market I

411
00:43:19,680 --> 00:43:26,640
have some NFTs like Nas released an album and it was kind of a at the time it felt like a cool concept

412
00:43:26,640 --> 00:43:33,200
it was you get a share of his royalties on that song is like buying a share of stock in his song

413
00:43:33,200 --> 00:43:40,080
not it not enforceable legally at all and you know it was on a you know now that you know more about

414
00:43:40,080 --> 00:43:46,880
the the chain that it was on you know if that ever became really valuable you don't want to store

415
00:43:46,880 --> 00:43:51,760
your value in something that's not decentralized with proof of proof of work and that that's my problem

416
00:43:51,760 --> 00:43:58,400
with NFTs among others but like yeah if one of these things got to be really valuable why do you

417
00:43:58,400 --> 00:44:02,320
want to have it on an insecure platform like yeah exactly that's what I mean it's like wouldn't you

418
00:44:02,320 --> 00:44:07,200
prefer it to be on an ordinal right just because at least you know it's on at least you know where it is

419
00:44:07,200 --> 00:44:14,240
you know and it just it just creates you know there are tons of good faith actors in those other

420
00:44:14,240 --> 00:44:23,040
ecosystems but when you're in a system that isn't bullet proof on security and has made those

421
00:44:23,040 --> 00:44:28,800
trade-offs the Bitcoin refuse to make it just creates another level of due diligence that

422
00:44:28,800 --> 00:44:33,680
isn't necessary like I don't want to figure out if this project's a scam or this one's not and I

423
00:44:33,680 --> 00:44:38,800
don't want to trust you if your projects a scam or not and yeah you know it's just it's just not

424
00:44:38,800 --> 00:44:46,160
necessary if you use Bitcoin kind of along that line of NFTs and you know we were talking earlier

425
00:44:46,160 --> 00:44:51,600
about labels a little bit and then use a little bit I had coffee a couple weeks ago with a songwriter

426
00:44:51,600 --> 00:44:56,320
friend in Nashville and I was telling him about value for value Bitcoin and

427
00:44:57,680 --> 00:45:05,040
and he's one of those folks that immediately goes back to the PRO and to the publishing house

428
00:45:05,040 --> 00:45:13,360
right yep and he had said that last summer just about every writer in Nashville that he knew

429
00:45:13,360 --> 00:45:27,440
that had a pub deal had to resign because web3 and NFTs were not in the language specifically

430
00:45:27,440 --> 00:45:34,400
related to the term known universe yeah and so everybody was having everybody who was signed to a

431
00:45:34,400 --> 00:45:42,400
you know significant pub deal had to go back and resign because all of these artists had been

432
00:45:42,400 --> 00:45:49,760
making a boatload of money on NFTs outside of the scope of the of the pub deal in the PRO

433
00:45:49,760 --> 00:45:55,520
and they were trying to come around and get their money and I think that and I was and I was

434
00:45:55,520 --> 00:46:03,760
fascinated to hear that yeah yeah we filed all of our first avenues iconic logos and everything we

435
00:46:03,760 --> 00:46:10,880
we we refiled all of our IP okay for the same you know protections and whatever metaverse or you know

436
00:46:10,880 --> 00:46:16,880
web3 but like yeah all those use cases like if somebody wanted to use our likeness or create a

437
00:46:16,880 --> 00:46:24,160
first avenue venue and de-central and or one of those yeah I think about what Arkinox was talking

438
00:46:24,160 --> 00:46:29,520
about yesterday in cyberspace like someone could go he was explaining it more at dinner at dinner

439
00:46:29,520 --> 00:46:36,560
last night it was blowing my mind but about mining for property in cyberspace it's like go mind

440
00:46:36,560 --> 00:46:43,040
property in time square so you could have the advertising revenue in cyberspace in 10 years you know

441
00:46:43,040 --> 00:46:50,240
and the way it works is you can you can't just it's not like you just go buy the land you have to just

442
00:46:50,240 --> 00:46:54,000
say you have to sort of mine in the region and you have to mine a lot and you have to use a lot of

443
00:46:54,000 --> 00:47:01,760
power to get isolated into that one spot you know you have to be lucky to get it but yeah it's like

444
00:47:01,760 --> 00:47:07,760
maybe I'll go mind over on first app you know see if I can take the IP for it.

445
00:47:07,760 --> 00:47:15,920
Take over my office yeah Sam it damn Sam get out of my office well that kind of leads me to like the

446
00:47:17,040 --> 00:47:22,800
to the last question that I have for you guys I mean I don't necessarily worry of with with

447
00:47:22,800 --> 00:47:28,080
respect to independent artists and professionally aspiring artists artists who are emerging like

448
00:47:28,080 --> 00:47:33,840
like a Joe Martin or a man like Quacks or Saraje or you know the band I wrote or or even

449
00:47:33,840 --> 00:47:40,160
Anzaly for that matter I don't necessarily worry about the the the major labels coming into this

450
00:47:40,720 --> 00:47:50,800
world you know I don't I don't see necessarily how an ask cap or a BMI or a C-SAC is really going to

451
00:47:50,800 --> 00:47:56,960
have any sort of significant play if there is a direct relationship between the listener and the

452
00:47:56,960 --> 00:48:03,520
person giving the sats to the artist like how in the hell is is ask cap or BMI ever going to jump

453
00:48:03,520 --> 00:48:08,800
in there but I'm I'm gonna try yeah oh yeah that oh yeah that's like a try and here's the analogy

454
00:48:08,800 --> 00:48:12,720
that I'm trying to work on on my my lovely wife was like yeah you need to work on that because you

455
00:48:12,720 --> 00:48:19,360
ain't so I'm it the analogy that I was trying to make is like if if you own a restaurant and

456
00:48:19,360 --> 00:48:27,120
you like if I own the restaurant and you guys came in for dinner right and you guys pay the bill

457
00:48:27,120 --> 00:48:32,800
but then out of the corner comes this comes this guy who's like hey I'm a farmer I make food and

458
00:48:32,800 --> 00:48:38,880
since you sold food I deserve a cut of that check between the the guys who bought the dinner and the

459
00:48:38,880 --> 00:48:43,040
business owner it's like well the but the money was was directly in between just because you make

460
00:48:43,040 --> 00:48:49,840
food just because you have provide a service that adds to the service in general yeah I'm still

461
00:48:49,840 --> 00:48:53,920
working on the analogy like it's a terrible analogy there's I don't know how the hell they're gonna

462
00:48:53,920 --> 00:49:00,640
just slip themselves into it they'll try but I mean I I'm worried I'm not even worried about them

463
00:49:00,640 --> 00:49:07,600
to be honest I'm not I think there will be some fights and I think they'll win some and I think

464
00:49:07,600 --> 00:49:12,560
but I think they'll ultimately if this all works and obviously I wouldn't be doing this if I didn't

465
00:49:12,560 --> 00:49:20,480
think it's a very strong chance but everybody's gonna want a piece of this yeah you know everybody's

466
00:49:20,480 --> 00:49:25,760
gonna I mean I'm sure you've even seen it just in the eight months it's like you get any

467
00:49:25,760 --> 00:49:30,240
it's just the way these things always work it doesn't even have to be in this space but like

468
00:49:30,240 --> 00:49:35,760
someone's see success and all the sudden people just come flocking wanting to attach to it in some

469
00:49:35,760 --> 00:49:40,480
way and wanted to get their hand in it somehow and wanted to get a piece of piece of something you know

470
00:49:40,480 --> 00:49:47,200
um I think a lot of people who do that are genuine as well and they're excited because a lot of

471
00:49:47,200 --> 00:49:52,320
people have been waiting for something like this to happen and a lot of those a lot a lot of that

472
00:49:52,320 --> 00:49:56,960
stuff will turn into cool projects you know it's like because those people have also just been

473
00:49:56,960 --> 00:50:01,920
waiting at their doors to walk in and so they see something like Ainsley having success or

474
00:50:01,920 --> 00:50:06,400
they watch the stream on tunes or something and they're just like whoa and it clicks for them and then

475
00:50:06,400 --> 00:50:11,280
they they just will approach and be like I'm here what can I do what can I help what can I help with

476
00:50:11,280 --> 00:50:17,200
but a lot of a lot of those people will um we'll just be looking to make a buck off of that

477
00:50:17,200 --> 00:50:22,480
opportunity they're just you know there's opportunistic people out there um that are good and bad

478
00:50:22,480 --> 00:50:25,520
and we're gonna be I think that's what we're actually gonna be fighting much more uh

479
00:50:26,240 --> 00:50:32,560
like when you saw live streaming in 2020 in 2021 um we're talking about it last night it was like

480
00:50:32,560 --> 00:50:37,440
almost like these all these live streaming companies were already pre-packaged and ready to go

481
00:50:37,440 --> 00:50:44,720
it was just like where did these come like 12 fully branded established startups that like

482
00:50:44,720 --> 00:50:49,520
seemingly got funded overnight and have like 20 employees it's like what the hell like where did

483
00:50:49,520 --> 00:50:54,400
I say how did this happen it was like it literally was like they knew what this was gonna happen

484
00:50:54,400 --> 00:51:00,240
or something is so crazy because I my first thought like the second week of March I was like that's how

485
00:51:00,240 --> 00:51:04,560
I learned how to do OBS that's the only reason I even know how to do it some like we're gonna have

486
00:51:04,560 --> 00:51:09,680
to we're gonna have to live stream so like apparently everybody was having that exact same thought because

487
00:51:09,680 --> 00:51:15,920
within a week I was like no we're not because like 10 companies just came out of nowhere um but yeah

488
00:51:15,920 --> 00:51:20,960
I think but that was a that was a moment where being in the music business and working directly

489
00:51:20,960 --> 00:51:27,040
with artists I mean there were like wolves at every corner just waiting to take a piece of something

490
00:51:27,040 --> 00:51:31,120
like oh these guys are making money doing live streams on Instagram and they're selling merch and

491
00:51:31,120 --> 00:51:36,000
they're they're fundraising and they're doing these big charitable events we need a piece of that

492
00:51:36,000 --> 00:51:42,160
you know and it's kind of gross but at the same time a lot of those companies did end up helping

493
00:51:42,160 --> 00:51:48,320
bands make some money and get through that at that time you know so well we're so here's my last

494
00:51:48,320 --> 00:51:53,440
question because Mike I know you got to get on a flight and go back home to the cold bird

495
00:51:53,440 --> 00:52:06,000
all right so it is February 18th 2026 it's two years from now let's hear let's let's hear your

496
00:52:06,000 --> 00:52:13,280
projections where are we two years from now and I'm gonna put a note in my calendar to go back and

497
00:52:13,280 --> 00:52:18,080
if I'm alive good Lord Rowell and in the Creek Dull Rise right two years from now I'll go back

498
00:52:18,080 --> 00:52:23,360
and listen to this like what what what where are we two years from now with respect to anything

499
00:52:23,360 --> 00:52:33,600
in this genre like price of Bitcoin value for value gigs wave like RSS what do you feel really

500
00:52:33,600 --> 00:52:43,040
strongly about where we are two years from now Mike 2026 I mean I I'm a big corner because I'm

501
00:52:43,680 --> 00:52:51,840
you know I think it makes me feel safe right and Sam spoke about how uncertain the world feels right

502
00:52:51,840 --> 00:53:00,880
now and so when you ask me about 2026 it's not all it's not all roses and unicorns right but uh

503
00:53:00,880 --> 00:53:05,760
all the national parks have been turned into parking lots yeah but I mean unfortunately I think a lot

504
00:53:05,760 --> 00:53:12,160
of these you know we sit here and talk about censorship resistance hard money all of the

505
00:53:12,160 --> 00:53:19,840
protections and value that we see in Bitcoin and the adjacent communities unfortunately

506
00:53:19,840 --> 00:53:29,200
you know the majority of people are perfectly fine um sacrificing privacy and security for convenience

507
00:53:29,200 --> 00:53:37,680
and I think a lot of these things really take off in dark times right so like there could be a weird kind of

508
00:53:40,480 --> 00:53:47,280
good and bad when like Bitcoin becomes really mainstream it might not be a great you know might not

509
00:53:47,280 --> 00:53:53,360
be a great function for a lot of people um like some bad things in the world might be going on with

510
00:53:53,360 --> 00:53:59,920
their monetary systems but you know as Bitcoin grows and more people become aware of it these things

511
00:53:59,920 --> 00:54:05,600
in music are going to be more exposed you know when the price goes up you know you're going to start

512
00:54:05,600 --> 00:54:10,800
getting those texts from your friends who want to know about Bitcoin and then when when Bitcoin goes

513
00:54:10,800 --> 00:54:17,520
up maybe these musicians will listen to me and say yeah I want I want to do that thing that you were

514
00:54:17,520 --> 00:54:24,320
doing in 2024 yeah I want to do that thing now I'm ready now yeah I want even if they just want that

515
00:54:24,320 --> 00:54:30,000
hard money you know yeah like they might not care about the string you know but it's yeah I think

516
00:54:30,000 --> 00:54:34,720
I really do think even this fall I think you're going to hear people talking about it on the

517
00:54:34,720 --> 00:54:41,600
campaign trail I think you're gonna you're gonna hear about more and more the more politicians talk

518
00:54:41,600 --> 00:54:49,520
about it in a negative sense everything's good for Bitcoin you know it really like I kind of like

519
00:54:49,520 --> 00:54:56,160
I come to that conclusion of you know if people are trying to shut it down more people are

520
00:54:56,160 --> 00:55:02,400
going to want it yeah and um I just think it's going to be in 2026 I think it's going to be right

521
00:55:02,400 --> 00:55:11,920
there in your face and um and hopefully you know we will we will have played the long game in music and

522
00:55:11,920 --> 00:55:20,800
set that foundation for when the floodgates open will be ready to you know have toons stir going

523
00:55:20,800 --> 00:55:26,400
multiple times a day and wave lake will have mainstream artists because it really could just be

524
00:55:26,400 --> 00:55:34,960
a gradually then suddenly moment where yeah some major artist has a success and you know we saw

525
00:55:34,960 --> 00:55:42,400
Ainsley Castello just getting the million sat song you know that could be like your your first

526
00:55:42,400 --> 00:55:48,640
ball run of wave lake yeah yeah well one of the things I think that will happen within two years

527
00:55:48,640 --> 00:55:53,600
or two years from now is on wave lake you will have multiple people every month

528
00:55:55,680 --> 00:56:01,040
getting a million sats a song oh yeah that's one of the things I think will happen unless

529
00:56:01,040 --> 00:56:07,600
the set will be worth so much more yeah oh yeah I mean the other thing and I want to get to your

530
00:56:07,600 --> 00:56:12,560
predictions but here's here's here's a couple of my heart predictions one is I think you'll have

531
00:56:12,560 --> 00:56:19,600
multiple artists getting a million sats per song per month I think Bitcoin I'm not convinced I'm

532
00:56:19,600 --> 00:56:25,920
Bitcoin hitting seven figures but I I'm pretty comfortable saying 250,000 in two years yeah which

533
00:56:25,920 --> 00:56:32,000
will lower the amount of streaming sats that we see on podverse and pod fans and true fans and

534
00:56:32,000 --> 00:56:41,680
things of that nature but as the value goes up you know that's okay and I think somebody I also

535
00:56:41,680 --> 00:56:47,280
think congress will be paralyzed continuously I don't think we're going to get through this

536
00:56:48,720 --> 00:56:55,520
political cycle just because of a next you know the next presidential election in nine months I don't

537
00:56:55,520 --> 00:57:00,880
think it's gonna change really that much of anything which is good for Bitcoin but I do think that

538
00:57:00,880 --> 00:57:06,320
and I've said this many times I do think somebody is going to bust out and go mainstream

539
00:57:06,320 --> 00:57:14,640
from the value for value world and they and when they go mainstream and they start talking and

540
00:57:14,640 --> 00:57:19,120
the mainstream press picks up on hey where'd you get your start where'd you have your first success

541
00:57:19,120 --> 00:57:22,400
and when that artist comes back and says well you know what it really happened over in Bitcoin

542
00:57:22,400 --> 00:57:28,480
but yeah and I don't know who that artist is going to be I meant maybe that artist doesn't even

543
00:57:28,480 --> 00:57:34,480
hasn't even hit the RSS and and Noster feeds yet well here's here's my bold prediction then I'm

544
00:57:34,480 --> 00:57:42,320
gonna find them I hope you do as we've got yeah we've got the venues for yeah we've got the most

545
00:57:42,320 --> 00:57:49,600
people running through our doors every year it just takes one yeah say I'm what are your predictions

546
00:57:49,600 --> 00:57:53,600
two years from now where yeah and I think you guys are pretty dead on I mean I I agree I don't know

547
00:57:53,600 --> 00:57:58,880
if we'll quite make it if we're talking a technical analysis here I don't think we'll quite make it

548
00:57:58,880 --> 00:58:04,080
to 250 but I do think we'll get close to two you know we'll definitely be in the six digit territory

549
00:58:04,080 --> 00:58:11,440
yeah which is gonna be a significant milestone for a lot of people um especially now this number

550
00:58:11,440 --> 00:58:18,400
just as this number goes up and up it gets it gets less you're less able to sort of talk about it going

551
00:58:18,400 --> 00:58:23,760
down to zero now becomes almost impossible yeah whereas like when it was in 2020 when it dipped down

552
00:58:23,760 --> 00:58:28,080
to three thousand dollars that was a significant drop from 20 you know but then if we get to

553
00:58:28,080 --> 00:58:34,000
a hundred and fifty thousand dollars and it drops down to back down to 50 or 60 or 80 or something

554
00:58:34,000 --> 00:58:39,680
that's still kind of hard to argue it's hard to argue at that point so yeah I think the price

555
00:58:39,680 --> 00:58:44,000
action will definitely drive in a lot of those aunts and uncles and cousins and neighbors and friends

556
00:58:44,000 --> 00:58:50,000
again like you said we'll start getting those text messages and that will the really cool thing

557
00:58:50,000 --> 00:58:57,920
that I've been very tapped into is the the builders market the builders market that we were in the

558
00:58:57,920 --> 00:59:02,960
last three years there have been some incredible infrastructure things put in place in the last three

559
00:59:02,960 --> 00:59:09,440
years that are that will are preparing us for what's about to happen for this next next

560
00:59:09,440 --> 00:59:16,560
explosion and a lot of those companies that started in the last three years have been developing will

561
00:59:16,560 --> 00:59:24,080
be solidified and will become bigger companies and that will pave the way for a whole new generation

562
00:59:24,080 --> 00:59:29,040
of awesome ideas and innovation that's going to come out all this stuff so I think there's going to be

563
00:59:29,040 --> 00:59:34,480
a lot of confusion I would say in two years I think there will be a lot of confusion because we'll see

564
00:59:35,360 --> 00:59:43,120
more people coming in but just like anything like the other thing I keep saying like a lot of people

565
00:59:43,120 --> 00:59:48,320
will come in fast to try to catch the wave of what's happening and when we go back down to the

566
00:59:48,320 --> 00:59:52,080
whatever that the end of that cycle is I think some people will be sort of confused with how that

567
00:59:52,080 --> 01:00:01,280
works and that's pretty common in these cycles but I think as the cycles continue to progress that

568
01:00:01,280 --> 01:00:05,600
it will become more stable it will become a more stable thing you know because Bitcoin becomes more

569
01:00:05,600 --> 01:00:13,200
scarce the supply becomes more scarce just because we have these ETFs and things buying up the supply

570
01:00:13,200 --> 01:00:20,160
every every day almost now in the last few weeks so I mean I'm very hopeful for it I do agree the world's

571
01:00:20,160 --> 01:00:26,240
going to be probably pretty funky in two years I think the financial situation is not going to get

572
01:00:27,120 --> 01:00:32,560
to get better I think we're going to see some form of like a digital you know fed currency or something

573
01:00:32,560 --> 01:00:37,760
will will be there but I think that all those things will just be more reason for people to want to

574
01:00:37,760 --> 01:00:49,200
jump into this yeah well my hope I hope in two years I'm still doing podcasts I'm still doing I'm

575
01:00:49,200 --> 01:00:55,360
still having great conversations like this yeah I want to thank you guys I've said this to you

576
01:00:55,360 --> 01:01:03,280
privately I'm happy to share it publicly what you guys have done from my life from my family's life

577
01:01:03,280 --> 01:01:11,520
has been transformative since July it's just been stunning I cannot thank you guys enough for your

578
01:01:11,520 --> 01:01:17,280
friendship and your mentorship and for the opportunities that you've provided and for sending me

579
01:01:17,280 --> 01:01:25,280
down this crazy rabbit hole path we're here to help Jim that's why we're here we want to

580
01:01:25,280 --> 01:01:31,440
see we want to see everybody who's passionate about this be successful and and find their way that's

581
01:01:31,440 --> 01:01:38,640
that's what we're doing here so happy to have to be your friend right up like was let's let's check

582
01:01:38,640 --> 01:01:44,240
in on these predictions in a couple yeah yeah two years of a b see who's right yeah yeah we

583
01:01:44,240 --> 01:01:48,960
should we're all gonna right I should repost it you know it'll be I mean that means I'm going to have

584
01:01:48,960 --> 01:01:52,720
to change the podcast schedule because it'll probably fall on a Tuesday instead of a Monday

585
01:01:54,000 --> 01:01:58,480
no it'd be a Wednesday wouldn't it because it'd be two years cycle I don't know that's that's what

586
01:01:58,480 --> 01:02:04,560
we have to ask me that's what we have Google calendars for so gentlemen thank you very much thank you

587
01:02:04,560 --> 01:02:09,680
I'll see you when I see you awesome and Sam like man I wish I could stick around and place

588
01:02:09,680 --> 01:02:15,200
some of these cool hey feel free cool keyboards and amps you got in this place and Michael saved

589
01:02:15,200 --> 01:02:19,680
travels home brother yeah thank you appreciate it thanks for pressing the buttons for us today Sam

590
01:02:19,680 --> 01:02:27,280
yeah but now let's go see if it actually saved let's check it out well there you have it that was a

591
01:02:27,280 --> 01:02:33,120
lot of fun and if you found yourself fiddling with the volume on your phone your podcast player

592
01:02:33,120 --> 01:02:40,720
don't worry about it that was us we rushed in we reported it we rushed out so I'm here in the studio

593
01:02:40,720 --> 01:02:46,160
and I had to compress the lib of the Jesus out of those files just to get them up to a certain

594
01:02:46,160 --> 01:02:52,400
audible level so that's why you hear it all that hiss in the background I also want to thank Michael

595
01:02:52,400 --> 01:02:59,760
Reed from Waibili I had a lot of fun conversations with him Saturday night after the event was over

596
01:02:59,760 --> 01:03:04,480
we just sat there and geeked out about music and we were trading record ideas and

597
01:03:04,480 --> 01:03:11,440
you know people to listen to so just wanted to give a shout out to him as well thank you guys very

598
01:03:11,440 --> 01:03:16,720
much for listening thank you for all the sats over the over the past couple weeks I'll do a recap

599
01:03:16,720 --> 01:03:21,600
on those later on in the week don't forget on Wednesday we'll be back with another fan of power

600
01:03:21,600 --> 01:03:30,160
music hour and then on Friday we will do the Phantom Power music review and that'll do it

601
01:03:30,160 --> 01:03:37,040
if you got any questions reach out to us on NOSTA reach out to us on telegram and also on the

602
01:03:37,040 --> 01:03:43,840
website phantompowermusic.io that'll do it kids take care we'll talk to you soon
