1 00:00:00,000 --> 00:00:02,000 [Music] 2 00:00:02,000 --> 00:00:04,000 Well, here we are. 3 00:00:04,000 --> 00:00:07,000 Just the three of us. 4 00:00:07,000 --> 00:00:08,000 [Laughs] 5 00:00:08,000 --> 00:00:13,000 Hey everybody, welcome to Fan and Power Music Hour episode 31. 6 00:00:13,000 --> 00:00:19,000 We got five new songs in the show this week. 7 00:00:19,000 --> 00:00:26,000 Who knows, maybe I'll get a sixth, depending upon if people ever return my emails. 8 00:00:26,000 --> 00:00:28,000 [Laughs] 9 00:00:28,000 --> 00:00:33,000 I'm a little saucy, so I needed a little bit of jazz piano in the back. 10 00:00:33,000 --> 00:00:35,000 Maybe I'll do all the bumpers. 11 00:00:35,000 --> 00:00:37,000 That's me playing by the way. 12 00:00:37,000 --> 00:00:40,000 Maybe I'll do all the bumpers this week. 13 00:00:40,000 --> 00:00:41,000 That'd be kind of fun. 14 00:00:41,000 --> 00:00:43,000 [Laughs] 15 00:00:43,000 --> 00:00:47,000 Yeah, I'll shut up, because we got great new music coming in. 16 00:00:47,000 --> 00:00:51,000 I've been telling you guys for a couple weeks now that Emily Rona's got a new one. 17 00:00:51,000 --> 00:00:54,000 And here is the world debut. 18 00:00:54,000 --> 00:00:57,000 I'm going through a bit of a name change too, going by Emily Dorenged. 19 00:00:57,000 --> 00:01:00,000 We're going to talk about that in this week's Fan and Power Artist Hour. 20 00:01:00,000 --> 00:01:06,000 But in the meantime, here is the world debut of Hate Me from Emily Dorenged. 21 00:01:06,000 --> 00:01:18,000 [Music] 22 00:01:18,000 --> 00:01:28,000 [Music] 23 00:01:28,000 --> 00:01:38,000 [Music] 24 00:01:38,000 --> 00:01:47,000 [Music] 25 00:01:47,000 --> 00:01:57,000 [Music] 26 00:01:57,000 --> 00:02:07,000 [Music] 27 00:02:07,000 --> 00:02:11,000 [Music] 28 00:02:11,000 --> 00:02:17,000 [Music] 29 00:02:17,000 --> 00:02:23,000 Just to leave, it would be an easy to see if it feels like it shouldn't all matter. 30 00:02:23,000 --> 00:02:25,000 I'm sure you agree. 31 00:02:25,000 --> 00:02:29,000 You're being more than just a tease when you go start over. 32 00:02:29,000 --> 00:02:35,000 The last time, the hotel, you told me you were sorry, go to hell. 33 00:02:35,000 --> 00:03:01,000 [Music] 34 00:03:01,000 --> 00:03:11,000 [Music] 35 00:03:11,000 --> 00:03:21,000 [Music] 36 00:03:21,000 --> 00:03:27,000 [Music] 37 00:03:27,000 --> 00:03:37,000 [Music] 38 00:03:37,000 --> 00:03:47,000 [Music] 39 00:03:47,000 --> 00:03:51,000 [Music] 40 00:03:51,000 --> 00:03:59,000 Let's make me... 41 00:03:59,000 --> 00:04:11,000 Times have changed I count my blessings 42 00:04:11,000 --> 00:04:14,000 At the end of every day 43 00:04:14,000 --> 00:04:18,000 I don't worry 'bout the future 44 00:04:18,000 --> 00:04:22,000 It just scares me playing too dead 45 00:04:22,000 --> 00:04:26,000 But I'm learning not to let it 46 00:04:26,000 --> 00:04:29,000 Get the best of me instead 47 00:04:29,000 --> 00:04:33,000 I'm getting quick to save for you 48 00:04:33,000 --> 00:04:37,000 For the things out of my head 49 00:04:37,000 --> 00:04:41,000 All I need is what I have now 50 00:04:41,000 --> 00:04:44,000 In the room for my head 51 00:04:44,000 --> 00:04:48,000 As long as I can pay the rent 52 00:04:48,000 --> 00:04:52,000 And tug of my children into bed 53 00:04:52,000 --> 00:04:56,000 I can control the future 54 00:04:56,000 --> 00:04:59,000 And I don't think that I would 55 00:04:59,000 --> 00:05:05,000 I couldn't make it any better if I could 56 00:05:05,000 --> 00:05:11,000 Times have changed and I'm still kicking 57 00:05:11,000 --> 00:05:15,000 Same old dreams are down the lane 58 00:05:15,000 --> 00:05:23,000 The only difference is the price I'll pay for over a year 59 00:05:23,000 --> 00:05:27,000 'Cause I'm not the only dreamer 60 00:05:27,000 --> 00:05:30,000 I'll teach them all I can 61 00:05:30,000 --> 00:05:34,000 How to be quick to say a prayer 62 00:05:34,000 --> 00:05:38,000 For the things out of their hands 63 00:05:38,000 --> 00:05:42,000 All I need is what I have now 64 00:05:42,000 --> 00:05:46,000 In the room for my head 65 00:05:46,000 --> 00:05:49,000 As long as I can pay the rent 66 00:05:49,000 --> 00:05:53,000 And tug of my children into bed 67 00:05:53,000 --> 00:05:57,000 I can control the future 68 00:05:57,000 --> 00:06:01,000 And I don't think that I would 69 00:06:01,000 --> 00:06:06,000 I couldn't make it any better if I could 70 00:06:06,000 --> 00:06:13,000 (I can't make it any better if I could) 71 00:06:13,000 --> 00:06:21,000 (I can't make it any better if I could) 72 00:06:21,000 --> 00:06:28,000 Oh, I'll do the best that I can 73 00:06:28,000 --> 00:06:35,000 Oh, I'll break things, make amends 74 00:06:35,000 --> 00:06:42,000 Oh, it's gonna make you feel better 75 00:06:42,000 --> 00:06:57,000 Oh, I'll do the best that I can 76 00:06:57,000 --> 00:07:07,000 Oh, I'll do the best that I can 77 00:07:07,000 --> 00:07:12,000 Oh, I'll teach them all I have now 78 00:07:12,000 --> 00:07:15,000 In the room for my head 79 00:07:15,000 --> 00:07:19,000 As long as I can pay the rent 80 00:07:19,000 --> 00:07:22,000 And tug of my children into bed 81 00:07:22,000 --> 00:07:28,000 And control the future and I don't think that I would 82 00:07:28,000 --> 00:07:34,000 I couldn't make it any better if I could 83 00:07:34,000 --> 00:07:43,000 (I can't make it any better if I could) 84 00:07:43,000 --> 00:07:47,000 That is Embleton with if I could here on the Phantom Power 85 00:07:47,000 --> 00:07:49,000 Music Hour Episode 31 86 00:07:49,000 --> 00:07:54,000 Emily Dorenged kicking it off with the world debut of Hate Me 87 00:07:54,000 --> 00:07:57,000 I really love both of those writers 88 00:07:57,000 --> 00:08:01,000 Embleton's got new stuff coming in next week that we'll put up 89 00:08:01,000 --> 00:08:11,000 But those opening two songs really do a great job of showing that Nashville is so much more than the amazing country music that comes out of it 90 00:08:11,000 --> 00:08:15,000 Emily and Embleton are fantastic writers 91 00:08:15,000 --> 00:08:21,000 And I've got a couple more Nashville artists that we're gonna bring up in this show this week 92 00:08:21,000 --> 00:08:26,000 No real theme, like I kind of had a jet like when I was putting this theme together this week 93 00:08:26,000 --> 00:08:30,000 I was like, okay, well these couple of songs are like jam bandy 94 00:08:30,000 --> 00:08:33,000 And then these couple of songs are jazzy and then we got the pop stuff 95 00:08:33,000 --> 00:08:37,000 And then the more I thought about it, just like with the way my brain is working this week 96 00:08:37,000 --> 00:08:43,000 I'm like, you know what, I'm just gonna go full on Wackjob and just jump all around and do whatever genres 97 00:08:43,000 --> 00:08:47,000 Like just mix them up like a blender, a musical blender, right? 98 00:08:47,000 --> 00:08:49,000 Like great college radio 99 00:08:49,000 --> 00:08:55,000 So, speaking of which, how about we pull up a new track from that 100 00:08:55,000 --> 00:09:01,000 Illuminating Icelandic Songstress, the Scandinavian songbird 101 00:09:01,000 --> 00:09:06,000 Marina Oshk loved this track brand new in the value verse 102 00:09:06,000 --> 00:09:08,000 Happy little sunshine beam 103 00:09:08,000 --> 00:09:10,000 Let's get a little jazzy 104 00:09:11,000 --> 00:09:28,000 (music) 105 00:09:28,000 --> 00:09:34,000 Happy little sunshine beam 106 00:09:35,000 --> 00:09:41,000 No care in the world 107 00:09:41,000 --> 00:09:50,000 No obligations 108 00:09:50,000 --> 00:10:00,000 No limitations 109 00:10:01,000 --> 00:10:08,000 Floating along the stream 110 00:10:08,000 --> 00:10:16,000 No need to make a turn 111 00:10:16,000 --> 00:10:24,000 Happy little sunshine beam 112 00:10:24,000 --> 00:10:29,000 Just follows along 113 00:10:29,000 --> 00:10:42,000 But underneath that cloak of smiles 114 00:10:42,000 --> 00:10:50,000 Lies a different color 115 00:10:50,000 --> 00:10:58,000 No overload of error and trials 116 00:10:58,000 --> 00:11:02,000 Hights there and bothered 117 00:11:02,000 --> 00:11:07,000 And he's covered 118 00:11:07,000 --> 00:11:15,000 Happy little sunshine beam 119 00:11:15,000 --> 00:11:22,000 We're pockets full of grey 120 00:11:22,000 --> 00:11:32,000 Praising that it's all a dream 121 00:11:32,000 --> 00:11:40,000 And hopes to fly away 122 00:11:40,000 --> 00:11:50,000 (music) 123 00:11:50,000 --> 00:12:00,000 (music) 124 00:12:00,000 --> 00:12:10,000 (music) 125 00:12:10,000 --> 00:12:20,000 (music) 126 00:12:20,000 --> 00:12:24,000 (music) 127 00:12:24,000 --> 00:12:44,000 (music) 128 00:12:44,000 --> 00:12:54,000 But underneath that cloak of smiles 129 00:12:54,000 --> 00:13:00,000 Lies a different color 130 00:13:00,000 --> 00:13:09,000 No overload of errors and trials 131 00:13:09,000 --> 00:13:14,000 Hights there and bothered 132 00:13:14,000 --> 00:13:20,000 And he's covered 133 00:13:20,000 --> 00:13:27,000 Happy little sunshine beam 134 00:13:27,000 --> 00:13:39,000 We're pockets full of grey 135 00:13:39,000 --> 00:13:44,000 That it's all a dream 136 00:13:44,000 --> 00:13:55,000 And hopes to fly away 137 00:13:55,000 --> 00:14:05,000 (music) 138 00:14:05,000 --> 00:14:14,000 (music) 139 00:14:14,000 --> 00:14:16,000 Don't fall in love again 140 00:14:16,000 --> 00:14:19,000 Where's that little good look man 141 00:14:19,000 --> 00:14:22,000 Cause I'm a boy and she's my girl 142 00:14:22,000 --> 00:14:25,000 And everything you find 143 00:14:25,000 --> 00:14:28,000 You've got no chance to hold her tight 144 00:14:28,000 --> 00:14:31,000 Until you're every day or night 145 00:14:31,000 --> 00:14:34,000 Don't be a fool 146 00:14:34,000 --> 00:14:36,000 Don't be a fool 147 00:14:36,000 --> 00:14:39,000 Don't be a fool 148 00:14:39,000 --> 00:14:41,000 Don't be a fool 149 00:14:41,000 --> 00:14:44,000 (music) 150 00:14:44,000 --> 00:14:46,000 You try and try again 151 00:14:46,000 --> 00:14:49,000 But you'll never end this game 152 00:14:49,000 --> 00:14:51,000 You're wasting time and state 153 00:14:51,000 --> 00:14:53,800 I love, they'll be the same 154 00:14:53,800 --> 00:14:57,060 Shoulder get ran for someone else 155 00:14:57,060 --> 00:15:00,800 I'm telling you before it's great 156 00:15:00,800 --> 00:15:11,600 Don't be yet full, don't be yet full, don't be yet full... 157 00:15:11,600 --> 00:15:24,100 So look around for someone else 158 00:15:24,100 --> 00:15:27,900 I'm telling you before it's great 159 00:15:27,900 --> 00:15:34,900 Don't be yet full, don't be yet full... 160 00:15:34,900 --> 00:15:39,900 Don't be yet full... 161 00:15:39,900 --> 00:15:42,900 I'll snatch you from your arms 162 00:15:42,900 --> 00:15:45,900 Where's the little girl of man? 163 00:15:45,900 --> 00:15:47,900 You lost her heart, and she had you 164 00:15:47,900 --> 00:15:50,900 But I tried all the time 165 00:15:50,900 --> 00:15:53,900 Please let her go, it's my girl 166 00:15:53,900 --> 00:15:57,400 Love is man so good with you 167 00:15:57,400 --> 00:16:05,900 Don't be yet full, don't be yet full... 168 00:16:05,900 --> 00:16:13,900 [music] 169 00:16:13,900 --> 00:16:16,900 Nikki in the show, it's with Don't Be a Fool 170 00:16:16,900 --> 00:16:20,900 Going all the way back to 1964, I believe 171 00:16:20,900 --> 00:16:25,900 I love that song, and I love the backstory 172 00:16:25,900 --> 00:16:32,900 Can you figure out why I tagged that on the end of Marina Oshk and Happy Little Sunshine Beam 173 00:16:32,900 --> 00:16:38,900 And her debut of that track in the Valueverse here for Phantom Power Music Hour Episode 31 174 00:16:38,900 --> 00:16:48,900 The reason why I put Nikki in the shouts on the back end of Marina is that Marina did her undergraduate work in vocal studies in Holland 175 00:16:48,900 --> 00:16:52,900 And that is where that Nikki in the shouts project comes from 176 00:16:52,900 --> 00:16:57,900 You can check it out over on Wavelake, it's really cool 177 00:16:57,900 --> 00:17:03,900 I love the production, it's total 1960s, legit, that song is from the 60s 178 00:17:03,900 --> 00:17:09,900 That dude's son, or grandson, or nephew, or somebody found the tracks 179 00:17:09,900 --> 00:17:13,900 And they put them up into the Valueverse, they put them up over on Wavelake 180 00:17:13,900 --> 00:17:17,900 And it is so cool, great energy, great songwriting 181 00:17:17,900 --> 00:17:20,900 They're so influenced by the Beatles 182 00:17:20,900 --> 00:17:24,900 And there's such wonderful chord progressions in there as well 183 00:17:24,900 --> 00:17:31,900 I know Sam Means is a total Beatle-free, and I remember writing with him around him for years and a couple months ago 184 00:17:31,900 --> 00:17:35,900 And I'm like, dude, where do you get all your ideas for theory and chord changes and shit? 185 00:17:35,900 --> 00:17:38,900 And he's like, "God, it's listed the Beatles" 186 00:17:38,900 --> 00:17:40,900 And that's a great example of that 187 00:17:40,900 --> 00:17:48,900 I absolutely love that the song and the production of Don't Be a Fool by Nikki in the Shouts 188 00:17:48,900 --> 00:17:54,900 They're on the fan of power, music hour, episode 31, so that's why I paired those two together 189 00:17:54,900 --> 00:18:00,900 So how about we introduce you to a new artist into the Valueverse, really excited for her to join us 190 00:18:00,900 --> 00:18:06,900 And I'm going to drop this song in and then I'm gonna put a new one in from Zeclina 191 00:18:06,900 --> 00:18:11,900 And I didn't realize this, but they're gonna be doing a show together here in Nashville 192 00:18:11,900 --> 00:18:13,900 That I'm gonna catch in the next couple of weeks 193 00:18:13,900 --> 00:18:18,900 And they also are doing a gig with Arreas, so it's like small world stuff, right? 194 00:18:18,900 --> 00:18:24,900 So here is Zoe Miles, brand new into the Valueverse 195 00:18:24,900 --> 00:18:30,900 Let's give her a huge welcome, please boost the bliven bejesus out of this tune 196 00:18:30,900 --> 00:18:36,900 I've actually seen Zoe twice, I didn't realize this, I saw her at the local here in Nashville 197 00:18:36,900 --> 00:18:42,900 And then I saw her over at a little shop in East Nashville when Nashville Pop did their debut event 198 00:18:42,900 --> 00:18:49,900 But I love this track, Zoe's a great writer, so happy that she is here in the Valueverse 199 00:18:49,900 --> 00:18:58,900 This is the Valueverse debut of Miss Me from Zoe Miles, here on the Phantom Power Music Hour 200 00:19:04,900 --> 00:19:11,900 I'm not a Miss Me 'cause I'd miss me too, I'd feel so stupid if I was you 201 00:19:11,900 --> 00:19:19,900 You had a good name, you got nothing at all except for a gutt and a smear, though that dark 202 00:19:19,900 --> 00:19:26,900 You took a good call with a big red heart, turned the flag and just got out with no stars 203 00:19:26,900 --> 00:19:33,900 Give me scars, I won't fade, I'll take them to the grave just like I love and I'll bury them 204 00:19:33,900 --> 00:19:41,900 You put yourself before us, had every chance and made things right 205 00:19:41,900 --> 00:19:46,900 And I'll don't really give up, but what you gotta say now? 206 00:19:46,900 --> 00:19:53,900 'Cause I know you miss me, I miss me too, I'd feel so stupid if I was you 207 00:19:53,900 --> 00:20:00,900 You had a good name, you got nothing at all except for a gutt and a smear with all that dark 208 00:20:00,900 --> 00:20:07,900 I know you miss me, I miss me too, I'd feel so stupid if I was you 209 00:20:07,900 --> 00:20:14,900 You had a good name, you got nothing at all except for a gutt and a smear with all that dark 210 00:20:14,900 --> 00:20:22,900 'Cause I'm not coming back, you fumbled the bag, I said what I said, yeah you had what you had 211 00:20:22,900 --> 00:20:29,900 But look, find someone else who'll be on your go get you hell, is to bring up yourself 212 00:20:29,900 --> 00:20:36,900 I know you miss me, I miss me too, I'd feel so stupid if I was you 213 00:20:36,900 --> 00:20:43,900 You had a good name, you got nothing at all except for a gutt and a smear with all that dark 214 00:20:43,900 --> 00:21:05,900 'Cause I know you miss me, I miss me too, I'd feel so stupid if I was you 215 00:21:05,900 --> 00:21:19,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 216 00:21:19,900 --> 00:21:26,900 You had a good name, you got nothing at all except for a gutt and a smear with all that dark 217 00:21:26,900 --> 00:21:40,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 218 00:21:41,900 --> 00:22:09,900 [Music] 219 00:22:09,900 --> 00:22:16,900 It's sad, but I'm done waiting on you, you claim that I can't say the truth 220 00:22:16,900 --> 00:22:23,900 It's so strange, you're out there, it's dropping you, so you're at like you know what I need to do 221 00:22:23,900 --> 00:22:30,900 'Cause boy, if I start making prediction, but they all fell through, what are you? 222 00:22:30,900 --> 00:22:44,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 223 00:22:44,900 --> 00:22:52,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 224 00:22:52,900 --> 00:23:06,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 225 00:23:06,900 --> 00:23:14,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 226 00:23:14,900 --> 00:23:28,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 227 00:23:28,900 --> 00:23:36,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 228 00:23:36,900 --> 00:23:50,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 229 00:23:50,900 --> 00:23:58,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 230 00:23:58,900 --> 00:24:14,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 231 00:24:14,900 --> 00:24:20,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 232 00:24:20,900 --> 00:24:24,900 'Cause I know you miss me, I miss you, I'd feel so stupid if I was you 233 00:24:24,900 --> 00:24:30,780 that is of course a Nate John in the project and you can always count on Nate for keeping it real 234 00:24:30,780 --> 00:24:32,760 absolutely love that song 235 00:24:32,760 --> 00:24:38,080 Lyrics I just think it's absolutely perfect with what's going on in America right now 236 00:24:38,080 --> 00:24:46,960 And love Nate's work absolutely love it. You can check out his damn near complete discography over on waste like that dude has more bands than a 237 00:24:46,960 --> 00:24:50,560 military base on July 4th 238 00:24:50,560 --> 00:24:53,600 kicking off that two song set 239 00:24:54,040 --> 00:24:58,760 Brand new into the value verse Zoe Miles with miss me and like I said 240 00:24:58,760 --> 00:25:03,960 I had seen her a couple of times around town really thrilled that she is in the space now and 241 00:25:03,960 --> 00:25:08,900 Taking bullet full advantage of the value for value movement 242 00:25:08,900 --> 00:25:11,520 Hey before we get to the next couple of songs 243 00:25:11,520 --> 00:25:19,920 Please if you are coming to Nashville for the Bitcoin conference at the end of July 244 00:25:19,920 --> 00:25:27,400 Please remember that directly across the street from the convention center in the embassy suites on the fourth floor Thursday Friday 245 00:25:27,400 --> 00:25:29,600 Saturday from 11 to 5 246 00:25:29,600 --> 00:25:33,880 We are going to have a stage in there and we are going to be 247 00:25:33,880 --> 00:25:36,600 Having artists from the value verse 248 00:25:36,600 --> 00:25:41,520 Perform on that stage you're gonna see live boosting you're gonna see some tech demonstrations 249 00:25:41,520 --> 00:25:45,960 You're gonna see a lot of the artists that you are familiar with not only from my show 250 00:25:46,280 --> 00:25:52,160 But all of the shows that you are familiar with here in the value verse shows like homegrown hits 251 00:25:52,160 --> 00:25:54,440 It's a mood 252 00:25:54,440 --> 00:25:56,440 Lightning thrashes 253 00:25:56,440 --> 00:25:59,440 Mixed tape by a wave lake mutton mead and music 254 00:25:59,440 --> 00:26:07,260 Alan C. Paul's got a new show as well keep the music playing please make sure you are subscribing to that on fountain or 255 00:26:07,260 --> 00:26:10,400 wherever you are listening to your 256 00:26:11,000 --> 00:26:16,480 Great favorite value for value podcast also sats and sounds and the side stream music project 257 00:26:16,480 --> 00:26:24,580 Lots of great shows in this space lots of great bands. So please join us in Nashville July 25th 26th and 27th 258 00:26:24,580 --> 00:26:32,120 Those three days they are free and open to the public you don't need a ticket come upstairs to the fourth floor 259 00:26:32,120 --> 00:26:34,920 650 person room 260 00:26:35,320 --> 00:26:41,120 Overlooking the street in between the embassy sweets and the convention center right downtown 261 00:26:41,120 --> 00:26:48,520 Come on inside and grab a drink because trust me July in NAS in Nashville is hotter than the devil's underpants 262 00:26:48,520 --> 00:26:55,280 So you're gonna you're gonna want to be there for that all right. Let's keep the music going shall we how about 263 00:26:55,280 --> 00:27:00,040 we bring you another song from a new artist here a Zaklina 264 00:27:00,040 --> 00:27:03,760 is here in the value verse and 265 00:27:05,200 --> 00:27:07,200 Her husband actually 266 00:27:07,200 --> 00:27:11,440 Hopefully we can get him in here too. He has an amazing 267 00:27:11,440 --> 00:27:15,360 Thrash metal band that would be great for 268 00:27:15,360 --> 00:27:19,680 Lightning thrashes and for Libre for his show 269 00:27:19,680 --> 00:27:25,120 But Zaklina has a new song into the value verse and it is pretend 270 00:27:25,120 --> 00:27:29,560 Here it is on the phantom power music hour episode 31 271 00:27:29,560 --> 00:27:49,120 In a grey room looking for something, looking for someone, who I've seen with you. 272 00:27:49,120 --> 00:28:04,640 In a grey room looking for something, looking for someone, who I've seen with you. 273 00:28:04,640 --> 00:28:18,560 They were you, my friend. 274 00:28:18,560 --> 00:28:26,180 I... I... I... I... I... 275 00:28:26,180 --> 00:28:40,160 How many strangers ruined with the face I know 276 00:28:40,160 --> 00:28:43,080 But can't get familiar with 277 00:28:43,080 --> 00:28:45,580 He said, "out of you" 278 00:28:45,580 --> 00:28:47,940 And I loved him too 279 00:28:47,940 --> 00:28:51,380 But he never committed too much 280 00:28:51,380 --> 00:28:58,460 Hey, will you be my friend? 281 00:28:58,460 --> 00:29:06,120 Then we can play the 10th... 282 00:29:06,120 --> 00:29:22,240 I... I... I... I... I... I... I... 283 00:29:22,240 --> 00:29:24,980 I'm in my own room 284 00:29:24,980 --> 00:29:29,700 Playing with monsters, wondering what that can be 285 00:29:29,700 --> 00:29:33,020 Too, this is a score, I scored 286 00:29:33,020 --> 00:29:36,740 So she's got two homes in her tower 287 00:29:36,740 --> 00:29:41,380 The two of them, whoop, and maybe we can't move 288 00:29:41,380 --> 00:29:43,260 It's all in the pool 289 00:29:43,260 --> 00:29:46,300 Hey, will you be my friend? 290 00:29:46,300 --> 00:29:50,220 Like falling down in the air 291 00:29:50,220 --> 00:29:53,220 For no... 292 00:29:53,220 --> 00:30:00,480 Only me and you can't blame me for that 293 00:30:00,480 --> 00:30:08,500 Only me and you can't blame me for that 294 00:30:08,500 --> 00:30:17,820 Only me and you can't blame me for that 295 00:30:17,940 --> 00:30:25,420 Only me and you can't blame me for that 296 00:30:25,420 --> 00:30:35,660 My hair tie broke, it's fine 297 00:30:35,980 --> 00:30:44,080 (guitar riffs) 298 00:30:44,080 --> 00:30:47,420 (guitar strumming) 299 00:30:59,420 --> 00:31:04,420 (guitar strumming) 300 00:31:04,420 --> 00:31:09,420 (guitar strumming) 301 00:31:09,420 --> 00:31:14,420 (guitar strumming) 302 00:31:14,420 --> 00:31:19,420 (guitar strumming) 303 00:31:19,420 --> 00:31:24,420 (guitar strumming) 304 00:31:24,420 --> 00:31:29,420 (guitar strumming) 305 00:31:29,420 --> 00:31:34,420 (guitar strumming) 306 00:31:34,420 --> 00:31:39,420 (guitar strumming) 307 00:31:39,420 --> 00:31:44,420 (guitar strumming) 308 00:31:44,420 --> 00:31:49,420 (guitar strumming) 309 00:31:49,420 --> 00:31:54,420 (guitar strumming) 310 00:31:54,420 --> 00:31:59,420 (guitar strumming) 311 00:31:59,420 --> 00:32:04,420 (guitar strumming) 312 00:32:04,420 --> 00:32:09,420 (guitar strumming) 313 00:32:09,420 --> 00:32:14,420 (guitar strumming) 314 00:32:14,420 --> 00:32:19,420 (guitar strumming) 315 00:32:19,420 --> 00:32:24,420 (guitar strumming) 316 00:32:24,420 --> 00:32:29,420 (guitar strumming) 317 00:32:29,420 --> 00:32:34,420 (guitar strumming) 318 00:32:34,420 --> 00:32:39,420 (guitar strumming) 319 00:32:39,420 --> 00:32:44,420 (guitar strumming) 320 00:32:44,420 --> 00:32:49,420 (guitar strumming) 321 00:32:49,420 --> 00:32:54,420 (guitar strumming) 322 00:32:54,420 --> 00:32:59,420 (guitar strumming) 323 00:32:59,420 --> 00:33:04,420 (guitar strumming) 324 00:33:04,420 --> 00:33:09,420 (guitar strumming) 325 00:33:09,420 --> 00:33:23,420 (guitar strumming) 326 00:33:23,420 --> 00:33:27,420 (guitar strumming) 327 00:33:27,420 --> 00:33:33,420 Cosmic Ray with Blue Sky from the Blue Sky Cold Knights Project. 328 00:33:33,420 --> 00:33:36,420 Cosmic Ray is a musician, producer, and designer. 329 00:33:36,420 --> 00:33:41,420 And no idea who, what, where, when, why, or how that dude is. 330 00:33:41,420 --> 00:33:46,420 I hope they are doing well. 331 00:33:46,420 --> 00:33:51,420 But I really like their stuff, a nice palette of audio. 332 00:33:51,420 --> 00:33:56,420 10 tracks at least over on Waiblake that you should check out. 333 00:33:56,420 --> 00:34:01,420 And then, of course, kicking off that two song set from Nashville, 334 00:34:01,420 --> 00:34:06,420 and, yeah, looking forward to seeing her gig here in a couple weeks, 335 00:34:06,420 --> 00:34:14,420 and hopefully, hopefully, on the bands at Bitcoin stage at the end of July here in Smash Vegas. 336 00:34:14,420 --> 00:34:16,420 Smash Vegas, Nashville. 337 00:34:16,420 --> 00:34:18,420 Whatever you want to call it. 338 00:34:18,420 --> 00:34:21,420 Well, what do you guys think? And you enjoy the show, right? 339 00:34:21,420 --> 00:34:24,420 For those of you who don't know what value for value is, 340 00:34:24,420 --> 00:34:28,420 and you've stuck around this long, basically all of these artists that you're hearing, 341 00:34:28,420 --> 00:34:34,420 they are totally down with getting paid in Bitcoin. And as you are listening to these songs 342 00:34:34,420 --> 00:34:40,420 on something like Fountain or Podverse or True Fans or CurioCaster, right? 343 00:34:40,420 --> 00:34:44,420 One of those podcasting 2.0 apps that are all Bitcoin enabled. 344 00:34:44,420 --> 00:34:49,420 If you like the song, you can send the artist a tip directly. 345 00:34:49,420 --> 00:34:51,420 It goes straight to them. 346 00:34:51,420 --> 00:34:56,420 There's a little bit off the top going to, you know, like whoever's hosting the show, 347 00:34:56,420 --> 00:35:02,420 or maybe somebody is diving in there looking at metrics so that they can get a feel for the audience. 348 00:35:02,420 --> 00:35:07,420 But, you know, like 90% of this stuff is going to the artist, and it is amazing. 349 00:35:07,420 --> 00:35:15,420 It's a hell of a lot better than the .003 sense that you would get if you were over on something like, 350 00:35:15,420 --> 00:35:20,420 "Oh, I don't know. iTunes or Spotify or something like that." 351 00:35:20,420 --> 00:35:29,420 This whole value for value movement thanks to the patronage of the Dutch Duke of decentralized music. 352 00:35:29,420 --> 00:35:32,420 And the proof is phantompowermusic.io. 353 00:35:32,420 --> 00:35:37,420 Mr. Adam Curry, this is changing the way that music is going to be heard. 354 00:35:37,420 --> 00:35:44,420 We are really early. I'm so excited for all of these artists who are in here figuring it out and building an audience 355 00:35:44,420 --> 00:35:49,420 because this is going to change the way that people consume not only music, but podcasts as well. 356 00:35:49,420 --> 00:35:54,420 And I hope that everybody is encouraging not just their friends who hold Bitcoin, 357 00:35:54,420 --> 00:35:59,420 but all of their friends' period to download these apps and try them out. 358 00:35:59,420 --> 00:36:04,420 Because if you guys love podcasts, you can find your shows in all of these 2.0 apps. 359 00:36:04,420 --> 00:36:13,420 And you're also going to find a lot of great new music, like shy kids from Quebec. 360 00:36:13,420 --> 00:36:18,420 I love these guys. Quebec or Toronto, one of the two. And I know they're very different. 361 00:36:18,420 --> 00:36:25,420 Don't send me hate mail from the great white north. I love our frozen hillbillies up there. I love them all. 362 00:36:25,420 --> 00:36:33,420 Shy kids, great art pop project from these dudes. 363 00:36:33,420 --> 00:36:38,420 And they had a great interview with Sam and Michael over on Wayform a couple months ago. 364 00:36:38,420 --> 00:36:48,420 You should check out that podcast, but here is their latest track called Backwards in Love on the Phantom Power Music Hour. 365 00:36:58,420 --> 00:37:12,420 I'm not saying that it's over. I'm just saying that I'm bored. 366 00:37:12,420 --> 00:37:25,420 I'm not saying I don't love you. I'm just saying I'm not sure. 367 00:37:25,420 --> 00:37:35,420 For back and forth, I'm in love with you. Back and forth, I'm in love with you. 368 00:37:35,420 --> 00:37:45,420 For back and forth, I'm in love with you. Back and forth, I'm in love with you. 369 00:37:45,420 --> 00:37:53,420 For back and forth, I'm in love with you. Back and forth, I'm in love with you. 370 00:37:53,420 --> 00:38:07,420 We both know that I don't really mean it. But it's clear that you don't care. 371 00:38:07,420 --> 00:38:21,420 We both know that we're mean much more than I'd like to admit. 372 00:38:21,420 --> 00:38:31,420 For back and forth, I'm in love with you. Back and forth, I'm in love with you. 373 00:38:31,420 --> 00:38:47,420 Back and forth, I'm in love with you. Back and forth, I'm in love with you. 374 00:38:47,420 --> 00:38:57,420 Back and forth, I'm in love with you. Back and forth, I'm in love with you. 375 00:38:57,420 --> 00:39:07,420 Back and forth, I'm in love with you. Back and forth, I'm in love with you. 376 00:39:13,420 --> 00:39:20,420 For back and forth, I'm in love with you. Back and forth, I'm in love with you. 377 00:39:20,420 --> 00:39:33,420 For back and forth, I'm in love with you. Back and forth, I'm in love with you. 378 00:39:33,420 --> 00:39:49,420 Back and forth, I'm in love with you. Back and forth, I'm in love with you. 379 00:39:50,420 --> 00:39:56,420 Back and forth, I'm in love with you. Back and forth, I'm in love with you. 380 00:40:12,420 --> 00:40:19,420 I've been feeling this all unheard of, my mind's always like you, pat pat, you got me really playing down my bed. 381 00:40:19,420 --> 00:40:24,420 My ego don't like you, but I did do. Yeah, I get butterflies as dumb. 382 00:40:24,420 --> 00:40:30,420 Take me anywhere as long as you come in, and I don't wanna jump the gum, but can you call it love? 383 00:40:30,420 --> 00:40:38,420 Yeah, let me have a run around telling my friends, oh my lookin' I'm faimal, for me, is it obvious that I fallin'? 384 00:40:38,420 --> 00:40:43,420 I'm so glued to you, don't pill me off, yeah, get butterflies as dumb. 385 00:40:43,420 --> 00:40:50,420 Take me anywhere as long as you come in, and I don't wanna jump the gum, but can we call it love? 386 00:40:50,420 --> 00:40:52,420 Yeah, let me have a nice, just person. 387 00:40:52,420 --> 00:40:59,420 But you got me feeling nervous, don't gotta do nothin', but look at me, and I'm turning red. 388 00:40:59,420 --> 00:41:09,420 I don't wanna miss it up when I get the rush, but I gotta tell you somethin'. Can make me so anxious and a good way. 389 00:41:09,420 --> 00:41:15,420 I can see you wet in the spurt, I'll end it, my vows are already wet in my phone. 390 00:41:15,420 --> 00:41:20,420 Can you hear bells in the distance? I can hear bells in the distance. 391 00:41:20,420 --> 00:41:24,420 So put on your best so I already got my dress. 392 00:41:24,420 --> 00:41:30,420 But I don't know if I could handle see any rules, I'm not an anxious person. 393 00:41:30,420 --> 00:41:38,420 You got me feeling nervous, don't gotta do nothin', but look at me, and I'm turning red. 394 00:41:38,420 --> 00:41:48,420 I don't wanna miss it up when I get the rush, but I gotta tell you somethin'. Can make me so anxious and a good way. 395 00:41:48,420 --> 00:41:58,420 I'm so anxious when I'm around you, I'm so anxious when I'm around you. 396 00:41:58,420 --> 00:42:03,420 Yeah, I get butterflies, it's dumb. Take me anywhere as long as you come. 397 00:42:03,420 --> 00:42:07,420 And I don't wanna jump the gum, but can we call it love? 398 00:42:07,420 --> 00:42:09,420 Yeah, let me have a nice, just person. 399 00:42:09,420 --> 00:42:17,420 But you got me feeling nervous, don't gotta do nothin', but look at me, and I'm turning red. 400 00:42:17,420 --> 00:42:27,420 I don't wanna miss it up when I get the rush, but I gotta tell you somethin'. Can make me so anxious and a good way. 401 00:42:27,420 --> 00:42:39,420 Happy Muir on the Fansom Power Music Hour Episode 31, anxious in a good way. 402 00:42:39,420 --> 00:42:44,420 We were thrilled to debut that one for her World debut a couple of weeks ago. 403 00:42:44,420 --> 00:42:50,420 Actually, it wasn't a World debut 'cause some radio station in Southern Australia beat me to it. 404 00:42:50,420 --> 00:42:54,420 That's okay. That's alright. Abbie, give my best to your family. 405 00:42:54,420 --> 00:42:58,420 Hope everybody down there and Australia is doin' great. 406 00:42:58,420 --> 00:43:02,420 Thanks for sticking around, guys. We got a couple more tracks for you. 407 00:43:02,420 --> 00:43:08,420 Let's see, why don't we do another new one in the Valley of Burst, TJ Wong, man? 408 00:43:08,420 --> 00:43:16,420 This guy is guitar-playing. I just love his work. So thrilled to have known this kid for a couple years now. 409 00:43:16,420 --> 00:43:27,420 In addition to being a hell of a musician, he's just a good dude, man. He is a good kid, and this industry needs all the good ones that we can get. 410 00:43:27,420 --> 00:43:41,420 A Value-Verse debut from DJ, a DJ, sorry. TJ Wong and his new track, 72, on the Fansom Power Music Hour. Here we go. 411 00:43:41,420 --> 00:43:48,420 We'll a guy who's several bright red people was 72. 412 00:43:48,420 --> 00:43:55,420 They're totally if it's 10 clowns, but they don't fit too. 413 00:43:56,420 --> 00:44:09,420 I drove into a stock, I drove into school. Only if it's thought I'm so cool, they say go, go, go, 72. 414 00:44:10,420 --> 00:44:22,420 Go, go, go, 72. Go, go, go, 72. 415 00:44:22,420 --> 00:44:36,420 You ain't fast, but you can get on gas. Droppin' with you in some red glasses, say go, go, go, 72. 416 00:44:37,420 --> 00:44:43,420 We're my bug cut fire on the highway, going 75. 417 00:44:43,420 --> 00:44:51,420 It smells a little funny, but at least my bug is still dry. 418 00:44:51,420 --> 00:45:04,420 I'm drumming in and in here, and he's the top of the line. But now I know that the heat works fine to say go, go, go, 72. 419 00:45:04,420 --> 00:45:16,420 Go, go, go, 72. Go, go, go, 72. 420 00:45:16,420 --> 00:45:29,420 You ain't fast, but you can get on gas. Droppin' with you in some red glasses, say go, go, go, 72. 421 00:45:30,420 --> 00:45:39,420 [Music] 422 00:45:39,420 --> 00:45:49,420 [Music] 423 00:45:49,420 --> 00:45:59,420 [Music] 424 00:45:59,420 --> 00:46:25,420 [Music] 425 00:46:25,420 --> 00:46:37,420 Go, go, go, 72. Go, go, go, 72. Go, go, 72. 426 00:46:37,420 --> 00:46:50,420 You ain't fast, but you can get on gas. Droppin' with you in some red glasses, say go, go, go, 72. 427 00:46:51,420 --> 00:47:05,420 Go, go, go, 72. Go, go, go, 72. 428 00:47:05,420 --> 00:47:34,420 [Music] 429 00:47:34,420 --> 00:47:54,420 [Music] 430 00:47:54,420 --> 00:48:16,420 [Music] 431 00:48:16,420 --> 00:48:26,420 [Music] 432 00:48:26,420 --> 00:48:36,420 [Music] 433 00:48:36,420 --> 00:48:46,420 [Music] 434 00:48:46,420 --> 00:48:56,420 [Music] 435 00:48:56,420 --> 00:49:22,420 [Music] 436 00:49:22,420 --> 00:49:32,420 [Music] 437 00:49:32,420 --> 00:49:42,420 [Music] 438 00:49:42,420 --> 00:49:52,420 [Music] 439 00:49:52,420 --> 00:50:02,420 [Music] 440 00:50:02,420 --> 00:50:12,420 [Music] 441 00:50:12,420 --> 00:50:22,420 [Music] 442 00:50:22,420 --> 00:50:32,420 [Music] 443 00:50:32,420 --> 00:50:42,420 [Music] 444 00:50:42,420 --> 00:50:52,420 [Music] 445 00:50:52,420 --> 00:51:02,420 [Music] 446 00:51:02,420 --> 00:51:12,420 [Music] 447 00:51:12,420 --> 00:51:22,420 [Music] 448 00:51:22,420 --> 00:51:32,420 [Music] 449 00:51:32,420 --> 00:51:42,420 [Music] 450 00:51:42,420 --> 00:51:52,420 [Music] 451 00:51:52,420 --> 00:52:02,420 [Music] 452 00:52:02,420 --> 00:52:12,420 [Music] 453 00:52:12,420 --> 00:52:22,420 [Music] 454 00:52:22,420 --> 00:52:32,420 [Music] 455 00:52:32,420 --> 00:52:42,420 [Music] 456 00:52:42,420 --> 00:52:52,420 [Music] 457 00:52:52,420 --> 00:53:02,420 [Music] 458 00:53:02,420 --> 00:53:12,420 [Music] 459 00:53:12,420 --> 00:53:22,420 [Music] 460 00:53:22,420 --> 00:53:32,420 [Music] 461 00:53:32,420 --> 00:53:42,420 [Music] 462 00:53:42,420 --> 00:53:52,420 [Music] 463 00:53:52,420 --> 00:54:02,420 [Music] 464 00:54:02,420 --> 00:54:12,420 [Music] 465 00:54:12,420 --> 00:54:22,420 [Music] 466 00:54:22,420 --> 00:54:26,420 [Music] 467 00:54:26,420 --> 00:54:28,420 [Music] 468 00:54:28,420 --> 00:54:38,420 [Music] 469 00:54:38,420 --> 00:54:48,420 [Music] 470 00:54:48,420 --> 00:54:58,420 [Music] 471 00:54:58,420 --> 00:55:08,420 [Music] 472 00:55:08,420 --> 00:55:18,420 [Music] 473 00:55:18,420 --> 00:55:24,420 [Music] 474 00:55:24,420 --> 00:55:34,420 [Music] 475 00:55:34,420 --> 00:55:44,420 [Music] 476 00:55:44,420 --> 00:55:54,420 [Music] 477 00:55:54,420 --> 00:56:04,420 [Music] 478 00:56:04,420 --> 00:56:14,420 [Music] 479 00:56:14,420 --> 00:56:24,420 [Music] 480 00:56:24,420 --> 00:56:28,420 [Music] 481 00:56:28,420 --> 00:56:52,420 [Music] 482 00:56:52,420 --> 00:57:02,420 [Music] 483 00:57:02,420 --> 00:57:12,420 [Music] 484 00:57:12,420 --> 00:57:20,420 [Music] 485 00:57:20,420 --> 00:57:30,420 [Music] 486 00:57:30,420 --> 00:57:40,420 [Music] 487 00:57:40,420 --> 00:57:50,420 [Music] 488 00:57:50,420 --> 00:58:00,420 [Music] 489 00:58:00,420 --> 00:58:04,420 [Music] 490 00:58:04,420 --> 00:58:14,420 [Music] 491 00:58:14,420 --> 00:58:24,420 [Music] 492 00:58:24,420 --> 00:58:34,420 [Music] 493 00:58:34,420 --> 00:58:44,420 [Music] 494 00:58:44,420 --> 00:58:48,420 [Music] 495 00:58:48,420 --> 00:58:58,420 [Music] 496 00:58:58,420 --> 00:59:08,420 [Music] 497 00:59:08,420 --> 00:59:18,420 [Music] 498 00:59:18,420 --> 00:59:28,420 [Music] 499 00:59:28,420 --> 00:59:32,420 [Music] 500 00:59:32,420 --> 00:59:42,420 [Music] 501 00:59:42,420 --> 00:59:52,420 [Music] 502 00:59:52,420 --> 01:00:02,420 [Music] 503 01:00:02,420 --> 01:00:12,420 [Music] 504 01:00:12,420 --> 01:00:16,420 [Music] 505 01:00:16,420 --> 01:00:26,420 [Music] 506 01:00:26,420 --> 01:00:36,420 [Music] 507 01:00:36,420 --> 01:00:46,420 [Music] 508 01:00:46,420 --> 01:00:56,420 [Music] 509 01:00:56,420 --> 01:01:06,420 [Music] 510 01:01:06,420 --> 01:01:16,420 [Music] 511 01:01:16,420 --> 01:01:26,420 [Music] 512 01:01:26,420 --> 01:01:36,420 [Music] 513 01:01:36,420 --> 01:01:46,420 [Music] 514 01:01:46,420 --> 01:01:48,420 [Music] 515 01:01:48,420 --> 01:01:50,420 [Music] 516 01:01:50,420 --> 01:01:54,420 [Music] 517 01:01:54,420 --> 01:02:04,420 [Music] 518 01:02:04,420 --> 01:02:14,420 [Music] 519 01:02:14,420 --> 01:02:24,420 [Music] 520 01:02:24,420 --> 01:02:28,420 [Music] 521 01:02:28,420 --> 01:02:30,420 [Music] 522 01:02:30,420 --> 01:02:32,420 [Music] 523 01:02:32,420 --> 01:02:34,420 [Music] 524 01:02:34,420 --> 01:02:36,420 [Music] 525 01:02:36,420 --> 01:02:38,420 Love that band. 526 01:02:38,420 --> 01:02:42,420 That is Universal Sci out of Athens, Georgia. 527 01:02:42,420 --> 01:02:44,420 A man who ever chose that envelope filter. 528 01:02:44,420 --> 01:02:46,420 And the clap tone on that track. 529 01:02:46,420 --> 01:02:48,420 Absolutely love it. 530 01:02:48,420 --> 01:02:50,420 Love me some good jam bands, man. 531 01:02:50,420 --> 01:02:54,420 Those dudes remind me of listening to the bands back and bolder 532 01:02:54,420 --> 01:02:57,420 when I was going to, when I was going to school over there. 533 01:02:57,420 --> 01:03:00,420 They kind of remind me of like leftover salmon. 534 01:03:00,420 --> 01:03:04,420 Maybe a little bit of big head Todd, but more jammy than big head Todd. 535 01:03:04,420 --> 01:03:06,420 So definitely in the leftover salmon category. 536 01:03:06,420 --> 01:03:08,420 Hey, my thanks to everybody on the show. 537 01:03:08,420 --> 01:03:10,420 This week, I hope you guys liked it. 538 01:03:10,420 --> 01:03:12,420 We had about 15 tracks. 539 01:03:12,420 --> 01:03:14,420 Emily Deranged. 540 01:03:14,420 --> 01:03:16,420 World debut of "Hate Me" 541 01:03:16,420 --> 01:03:18,420 Embleton with "If I Could" 542 01:03:18,420 --> 01:03:20,420 Marina Oshk. 543 01:03:20,420 --> 01:03:22,420 Happy little sunshine beam. 544 01:03:22,420 --> 01:03:24,420 Nicky in the shouts. 545 01:03:24,420 --> 01:03:28,420 Value vs. debut brand new artist from Zoe Miles. 546 01:03:28,420 --> 01:03:30,420 Red Arrow Highways, 547 01:03:30,420 --> 01:03:32,420 A Cleanah, Cosmic Ray, Shy Kids. 548 01:03:32,420 --> 01:03:34,420 Abby Mewer, T.J. Wong, 549 01:03:34,420 --> 01:03:36,420 Hurricane, Angelie, 550 01:03:36,420 --> 01:03:38,420 Vinnaclehead, 551 01:03:38,420 --> 01:03:40,420 Herbivore, 552 01:03:40,420 --> 01:03:42,420 Universal Sci, and of course Tracy Blake from Minnesota. 553 01:03:42,420 --> 01:03:44,420 Love that dude's writing too, man. 554 01:03:44,420 --> 01:03:48,420 Hopefully he can come down and visit us in Nashville soon. 555 01:03:48,420 --> 01:03:50,420 This is the Phantom Power Music Hour. 556 01:03:50,420 --> 01:03:54,420 My name is Jim. I really appreciate you guys listening and boosting and zapping. 557 01:03:54,420 --> 01:03:56,420 And all of the great contributions that we have received over the past couple of weeks. 558 01:03:56,420 --> 01:03:58,420 It's really hard to keep up with everybody. 559 01:03:58,420 --> 01:04:00,420 If you guys have questions, comments, 560 01:04:00,420 --> 01:04:02,420 got some feedback, got some songs you want me to check out. 561 01:04:02,420 --> 01:04:04,420 Hook me up, man. Happy to help. 562 01:04:04,420 --> 01:04:08,420 You can find me on Noster, on Telegram, on Twitter, on Instagram. 563 01:04:08,420 --> 01:04:10,420 Every now and then I peek into the Facebook page. 564 01:04:10,420 --> 01:04:12,420 I don't do the TikTok thing. 565 01:04:12,420 --> 01:04:14,420 But you can find me. 566 01:04:14,420 --> 01:04:16,420 I'm not that hard to track down. 567 01:04:16,420 --> 01:04:18,420 And if you're in Nashville, 568 01:04:18,420 --> 01:04:20,420 let me know, man. 569 01:04:20,420 --> 01:04:22,420 I'm always happy to have a new album. 570 01:04:22,420 --> 01:04:24,420 I'm happy to have a new album. 571 01:04:24,420 --> 01:04:28,420 You know, man. I'm always happy to help out a friend and, um, 572 01:04:28,420 --> 01:04:30,420 Orange in the right direction. 573 01:04:30,420 --> 01:04:32,420 Who knows? Maybe we can even do a gig together. 574 01:04:32,420 --> 01:04:34,420 All right. 575 01:04:34,420 --> 01:04:36,420 I'm outta here. Thank you guys so much for listening. 576 01:04:36,420 --> 01:04:38,420 Hope you guys have a great week. 577 01:04:38,420 --> 01:04:42,420 And, uh, thank you to everybody here in the value verse. 578 01:04:42,420 --> 01:04:48,420 Please remind all of your friends to be checking out all of these shows and all of these songs on these great apps. 579 01:04:48,420 --> 01:04:52,420 And let's keep this movement moving forward, shall we? 580 01:04:52,420 --> 01:04:56,420 All right. See you guys. 581 01:04:56,420 --> 01:04:58,420 Smile for the mug shot. 582 01:04:58,420 --> 01:05:06,420 [Music] 583 01:05:06,420 --> 01:05:30,420 [��sic ]